Story Category: Legacy

Museum Mentors Online: July 2020

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

Members of our Museum Mentors groups have continued receiving colouring in cards and pictures of interesting objects from Brighton Museum collections in the hope that they will inspire artwork, be interesting to look at, or just be cheering during this time of lockdown.

Last week I sent out a bumper pack of interesting animal themed art inspiration put together for us by Lucy Faithful.  Also included were these colouring postcards based on the work of our Museum Mentors Mick and Terry. Mick’s card is a caricature of John Lennon and Terry’s is a picture of a tiger and her cub. 

Ossie sent us some photos of his artwork inspired by the sea themed pictures he received last month:

This is a picture of a brass waist clasp in Arts and Crafts style.

This is a porcelain spill vase by Belleek (early 20th century) in the form of a nautilus shell with a coral handle.  

We have been able in recent weeks to have 1:1 outdoor meetings with some of our group members. I met Paul and took lots of photos of his vibrant work.  

This one is a page from a colouring book.

This lovely gestural painting is made on grey card. It looks like a dramatic cloudy sky to me. 

This sunny vase of flowers was made with white wax crayon and watercolour paint. 

Join in

If you are a member of our Museum Mentors group and would be happy to see your work on our webpage please send photos of your art to sally.welchman@brighton-hove.gov.uk 

That’s all for this week. Look out for more Museum Mentors group updates soon.

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You can find us online via

 Sally Welchman, Museum Mentors

Festival of Archaeology 2020: High Weald Hoard

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

For the second archaeology object to celebrate this weeks annual Festival of Archaeology (11-19 July) run by the Council of British Archaeology (CBA), we highlight a Roman coin.

The coin was buried with another 2894 coins for nearly 1800 years, until its discovery in 2006. The coins were found by a metal detectorist, interred in the remains of a pottery container, on land in the Weald, about 30 miles north west of Brighton. It is known as the High Weald Hoard and it is one of the largest hoards of Roman coins ever found in the county.

This coin is rather special

Dating to the third century AD, a troubled period of Roman history, it is only the second coin of Cornelia Supera (wife of emperor Aemilian) found anywhere in the country.

The obverse side of the coin featuring the portrait of Cornelia Supera.

The reverse side of the coin showing the Roman deity Vesta, goddess of the hearth and of fire.

Finds from the Roman period are rare in the area on the edge of the Weald, where the hoard was uncovered. Its discovery reveals further insight into Roman Sussex and could suggest a connection with the local iron industry during this period.

The coins were fully catalogued by the British Museum. It was acquired by the Royal Pavilion & Museums, Brighton & Hove with a grant awarded by the Heritage Lottery Fund in 2012 and the metal detectorist who unearthed it kindly donated the metal detector with which the hoard was discovered.

Discover More

Explore other objects in our Festival of Archaeology series

Heather York, Curator

Festival of Archaeology 2020: A Sussex Loop

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

From 11-19 July the Council of British Archaeology (CBA) is holding the annual Festival of Archaeology and this year it is going digital.

We would normally celebrate by holding events at Brighton Museum, but instead, like the CBA, we will be celebrating online by showcasing a different archaeology object each day this week. To start with, we take a look at a Sussex Loop.

Sussex Loop

This loop of bronze, known as a Sussex loop, was found at Falmer Hill, Brighton in 1918. It was one of four discovered along with a flint dagger. Thirty years after their discovery, one of the loops and the dagger were donated to Brighton Museum. The donor had obtained them from a local carpenter who explained that, many years earlier he had given away the other loops to children for a school museum.

It was made around 3,500 years ago during the Middle Bronze Age. Sussex loops are generally found in pairs or threes and in many cases are part of a larger Bronze Age hoard, which often includes items such as bronze jewellery, tools and weaponry, some of which appears to have been made on the Continent. Nearly all of those discovered so far have been found in the Sussex South Downs and Weald area.

The purpose of these intriguing objects, whom they were made for and why were they hoarded remains a mystery. They are generally thought to be some form of adornment, likely a bracelet. Those loops hoarded with other precious objects, could mean there was a specific ritual purpose to their burial, or they were buried to keep them safe. Future discoveries may uncover further clues.

There are four Sussex loops within Brighton Museum’s archaeology collections. Some are currently on display in the Elaine Evans Archaeology Gallery at Brighton Museum, which will hopefully open again to visitors in late August.

Heather York, Curator

Nature at Home: A Walk in Dyke Road Park

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

One of our early Nature Heroes highlighted the work of Lynn Beun, leader of RSPB Brighton & Hove District Local Group. Lynn has been kind enough to write a few blog posts of her own to share with us. In this second post, Lynn takes us on her daily walk.  

I am lucky enough to live near Dyke Road Park, which is opposite the Booth Museum, so have enjoyed my daily walk there either early in the morning, or in the evening just before sunset. We hear a lot about the Dawn chorus but dusk is a wonderful time to hear the birds singing too. So, I will take you for a walk around Dyke Road Park and tell you what I have seen one evening, just before sunset.

Hawthorn blossom in May, photo taken by Lynn Beun

I arrived from the BHASVIC playing field end, and was delighted to see that the hedgerow planted by council volunteers last year was growing well and the hawthorn May blossom was in full bloom. Sparrows were chirping there and it also provides a home for all kinds of wildlife to hide in.

As I walked round the corner, I could hear the song thrush singing its complex and loud song from a branch high up in the tree. The song thrush in Dyke Road park has a particularly lovely song, to my mind, with rich and varied phrases. Sometimes it sings what sounds like a totally different tune, which has made me stop to check in case it was a different bird. It is hard to describe birdsong on paper but Adrian Thomas in the RSPB guide to birdsong describes it thus:

“Can you see me? Up here, up here, high, high, high, high, I’m very high indeed, in the tree”. I always think it is saying at the end of its tune “Look at me! Look at me!”. But that is just my own fancy.

Song Thrush Chris Gomersall, rspb-images.com

Greenfinch Ben Hall, rspb-images.com

Lockdown measures remain in place, so although delighted by the song thrush, I had of course to keep moving for my exercise. However, when I reached the Brighton Open Air Theatre area I noticed some colourful Greenfinches hopping about on the grass and amongst the dandelion clocks. They were feeding on the dandelion seeds, which had grown because the area is not being used at the moment. Greenfinches are now recovering in numbers. In 2005 there was a 24% decline in the Greenfinch population due to an outbreak of an infectious disease called trichomoniasis, so it was heartening to see a group of them. They are often visitors to garden bird feeders as well as parks, so a gardening task is to make sure you keep your bird feeders and water dishes clean.

A charm of goldfinches (the collective name) flew past me and gathered at the top of a pine tree, chattering away. They are colourful birds with a bubbling, rapid song.

I entered the yew hedge maze area and was pleased to see several little Dunnocks hopping about. These pretty little hedge sparrows (that is their other name) are ground feeding birds and often look like little brown mice scurrying in the leaf litter. They are sometimes mistaken for the house sparrow but Dunnocks have a thinner more pointed beak and a blue-grey head and chest.

In the background a chaffinch and blackbird were singing, distracting my attention from the walk. As I made my way back to the playing field area I walked past a busy group of starlings, feeding on the ground on insects and grubs. A runner passed me and a jay flew off from a tree nearby, its colourful blue panel flashing on its wing

The sun slowly set over Hove as I decided to head back home, happy with my walk and sightings. The great thing about looking at the natural world is that you never know what you will see and sometimes get a surprise. In my own street a robin and blackbird were competing to be the last bird signing before sunset.

At the end of every nature walk I often think “What was my favourite bird of the day?” This was a tricky one to pick out. Eventually I decided that despite the delightful song thrush I would choose the Greenfinches that I saw eating dandelion seeds.

Games and Activities

There are lots of games and activities for children all about the natural world on the RSPB website. There are also things suitable for rainy days and lockdown time including this greenfinch colouring sheet. Why not try the Indoor Scavenger hunt, for example? Or what about an online quiz about animal poo (yes, really!).

Discover More

Read more posts by Lynn Beun

Read more about our Nature Heroes

Explore more of our Nature at Home series

Lynn Beun, Leader, RSPB Brighton & District Local Group

 

Doughty’s Dogs, 1908

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

This postcard shows James Doughty and his dogs performing on the West Pier in Brighton in 1908.

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Jumping through hoops

After a long career as a travelling clown and showman, James Doughty came to settle in Brighton. He would carry on performing until he was in his 90s, although his dogs were doing much of the work at this point.

This remarkable postcard shows a jumping dog in mid-flight through two hoops. It’s one of those magical images where the photographer has hit the shutter at the perfect moment to capture the excitement of the scene.

Today we tend to use the phrase ‘jumping through hoops’ to describe carrying out complicated and annoying tasks in order to achieve a goal. But this photo is reminder that literally jumping through hoops can be a fast and enjoyable spectacle — especially when performed by a trained dog with an expectant audience.

Author: Kevin Bacon, Digital Manager

Sophie Cook, writer, speaker, activist, photographer

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

Today’s 100 Pioneering Women of Sussex blog celebrates Sophie Cook. Sophie’s website introduces her as ‘a former Labour Party Parliamentary candidate, RAF veteran, Premier League Football photographer, self harm and suicide survivor…and transgender.’ This is the tip of the iceberg. Sophie’s work around diversity, inclusion and fighting to break the stigma around mental health has not only led to her being awarded the Doctor of Letters by Bournemouth University, but has also meant she has had a vital impact on those her Foundation supports.

Sophie Cook

Brighton Museum first met Sophie when she was asked to be part of the Queer Looks project and she donated ‘the’ red dress, as well as her story, to the Museum exhibition and Fashion Collection. Since then, Sophie has spoken at the TEDx Talks next door at Brighton Dome and at International Women’s Day in Brighton Museum in 2018.

Sophie Cook Election dress, in Brighton Museum

Sophie was working as a club photographer for AFC Bournemouth in football’s Premier League when she came out as transgender, following her transition from Steve to Sophie.

Locally, Sophie contested the East Worthing & Shoreham seat in the 2017 General Election, narrowly missing out on becoming the UK’s first trans MP but increasing the Labour vote by 114%. Sophie’s red and white dress, which she wore to the election results is now part of the Fashion Collection at the Museum, representing an ever growing and visible collection of LGBTQ+ stories and objects.

Sophie is upfront and open about her own struggles with mental health, from suffering Post-Traumatic Stress Disorder after an incident in the RAF to fears around her gender identity, being ‘outed’ and coming out, to ongoing daily challenges.

Sophie Cook

She has published her autobiography and mental health self help book, “Not Today: How I Chose Life”, and is currently writing the sequel “Not Today: Losing my Addictions”, as well as penning articles on trans-equality, homelessness, and the UK’s political system for a number of major publications.

Sophie Cook

Sophie Cook

After stepping down as an Independent political candidate in the 2019 General Election, Sophie decided that she can have more of a direct impact on people’s lives by focusing on the ‘Sophie Cook Foundation’, raising awareness, providing advice and publishing resources on mental health and breaking the stigma surrounding it.

To invite Sophie to give a talk or find out more about The Sophie Cook Foundation, visit Sophie’s website www.sophiecook.me.uk

 

Climate Conversations: It’s just a matter of time

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

Our Climate Conversations series continues with John Cooper, Geologist and Keeper Emeritus of the Booth Museum of Natural History. John explains how fossils from the Booth Museum’s chalk fossil collection show us how most of the UK was once covered by warm shallow seas filled with marine giants and schools of fish.

The Booth Museum houses a significant collection of fossils collected from local Sussex rocks. It includes dinosaurs and insects from rocks in the Weald, shellfish, fish and reptiles from the Chalk and ice age mammals from various cliffs, pits and quarries in the county. Scientists have been studying these collections since 1850, when the first of our fossil specimens were published in science journals. Similar collections are housed in museums and universities around the world and over the last two centuries the complex jigsaw of the history of our planet, its life, its geography, and its climate have been unearthed.

Unravelling 100 million year old mysteries

Our collection of chalk fossils from the Chalk cliffs and quarries of Sussex have helped to unravel the mysteries of the planet from 100 million years ago during the Late Cretaceous Period and are still studied by experts today.

Fossil Ctenothrissa radians, fish species found by Charles Potter in the Lewes area in the 19th century. Photo by Bob Foreman

During the Late Cretaceous period, much of Europe was covered by a shallow sea, and was a very different place from today. There were no icecaps and as a result, sea levels were up to 300 metres higher than now. Only the tops of the Scottish mountains would have been visible.There was intense volcanic activity around the world which would have produced enormous amounts of carbon dioxide (1000ppm compared to 280ppm pre-industrial). This pushed average global temperatures up to 35 degrees C in the oceans. The continents were in very different positions compared to those we see now, with a much greater area of shallow shelf seas.

Late Cretaceous World Map, Mannion, P. D. (2013). “The latitudinal biodiversity gradient through deep time”. Trends in Ecology and Evolution 29 (1). DOI:10.1016/j.tree.2013.09.012. / CC BY-SA 3.0

But life, despite the extreme climate, had time to adapt, evolve and thrive in the seas over millions of years. A huge amount of biodiversity including Ammonites, ichthyosaurs and plesiosaurs swam in the seas, and on land, birds and pterosaurs flew, and the dinosaurs still roamed. The mammals were few, being only small scurrying creatures.

Chalk Lobster: Palaeastacus dixoni Lower Chalk, Clayton, East Sussex. Photo by Bob Foreman

A Cataclysmic Collision

This plethora of life came to a dramatic pause when an enormous chunk of asteroid collided with the Earth 66 million years ago, impacting near the Caribbean sea, plunging the planet into a lockdown which changed everything. Clouds of dust filled the skies, blotting out the sun perhaps for years, causing the death of plants, and setting off a chain of extinctions. Most famously, the dinosaurs, marine reptiles and the ammonites all disappeared. And yet, again, the planet survived, life adapted and evolved. Flowering plants blossomed, the mammals evolved, and the seas and continents teemed with life. Humankind appeared.

Life goes on?

And so when we look at climate change that we know is affecting the Earth today, we can use what we know about climates from the past to help us understand and put into perspective the changes we now observe. As human beings we can be rightfully saddened at the loss of species through the eradication of so many important habitats. We bemoan our stupidity at poisoning the oceans with our waste, the atmosphere with our greenhouse gases, and spreading ourselves so thickly across the land that we are exhausting our own food and mineral wealth causing starvation and disease.

Here today, gone tomorrow…

Yet with a geological perspective, especially looking at the Cretaceous world, the Earth has seen it all before, only more extreme. The fossils tell us so. But the planet survived and grew. We as mere humans may struggle to survive the changes that are yet to come, with rising sea-levels and intensifying climate. We will mourn the loss of biodiversity and the destruction of our coastal cities and populations, to say nothing of our ancient cultures. But modern peoples have only inhabited the Earth for the last 300,000 years; and our more ancient ancestors only for a few million years, a small fraction of time in Earth history: we are here today and gone tomorrow. Will Homo sapiens survive? The Earth will carry on, with us or without us.

Discover More

Read more from our Climate Conversations series 

John Cooper, Keeper Emeritus, Booth Museum of Natural History

Mid-Week Draw Online: Week 14

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

This week’s theme is the easing of lockdown, Beth has chosen food, drink, sights and shops.

Beth

Socially distanced penguin, Beth

Draw Artists

We are very pleased to see that some of you have taken part in our online Mid-Week Draw, here are some of the fantastic works that have been sent in.

Ossie

Join In

If you are tempted to have a go, please share your drawings with us? We would love to see them. Email them to Beth at beth.burr@brighton-hove.gov.uk 

Tweet @BrightonMuseums or if you are uploading them to Facebook with pride, share the url in the comments section below.

Come back next Wednesday to see what new objects Beth has chosen.

This week’s additional ideas:

  • Find and draw a child’s toy. Most have simple forms making them an easy subject. Often they have bright colours
  • Pick a subject or object and illustrate it in a different way for seven days

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The Mid-Week Draw

Beth Burr, Museum Support Officer

The Fastest Girl on Earth? Trailblazing Dorothy Levitt

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Dubbed ‘the Fastest Girl on Earth’, Dorothy Levitt was an early motorist who competed in speed trials and long distance races, setting the Ladies World Speed record right here on Madeira Drive in the Brighton Speed Trials of 1905, by driving her Napier racing car at 79.75 mph. She has blazed her way into the 100 Pioneering Women of Sussex blog series.

Unsurprisingly, Madeira Drive in Brighton has attracted speed fans since the car was invented. The Brighton Speed Trials have occurred here annually since July 1905 following the tarmacing of the road surface for the first time. It was at these Dorothy Levitt, a phenomenally successful female racing driver set a Ladies World Speed Record. She later broke that record and won many other races as well as becoming a champion speedboat driver, an early pilot and a motoring journalist.

Dorothy Levitt at Brighton Speed Trials, 1905

Dorothy Levitt (1882 – 1922) was born Elizabeth Levi in Hackney, London, the daughter of a jeweller.  She worked as a secretary for Napier & Son, early luxury car makers, where she met Selwyn Edge, a racing driver and businessman. It’s thought that Edge, believing that Levitt would be of great value in drumming up publicity for the Napier cars he wanted to sell, instigated her motoring career, arranging for her to be taught to drive and maintain cars.

She became the first British woman to compete in a speed competition in October 1903 at the Southport Speed Trials when she easily won the class for cars priced between £400 and £550. She won two medals at the Trials the following year, the same year she entered the five-day Hereford 1,000 mile Light Car Trial where a mechanical fault on the home stretch prevented her from winning.  In February 1905 Levitt broke the record for the ‘longest drive by a lady driver’, driving from London to Liverpool and back in two days with only her small dog, ‘Dodo’ and a revolver for company.

Dorothy Levitt and the 12 hp Gladiator car she drove in reliability trials in 1903

It was in July that year that she set her first Ladies World Speed record at the first Brighton Speed Trials, driving a Napier car at the dizzying speed of 79.75 miles per hour.  This was a resounding success for her as not only did she win her class, but she won the Brighton Sweepstakes and the Autocar Challenge Trophy here at the same time. Just the following year, Levitt broke her own record at the Blackpool Speed Trial, achieving a truly terrifying speed of 90.88 mph.  She went on to compete successfully in races and trials all over Europe.

In these early days of motoring when cars were considered to fall well within male territory, the petite Levitt, who had a penchant for wearing frills and froth and always drove in an ankle length tea-coat with hat and veil, challenged stereotypes. Her domestic life was no less conventional. The story goes that she absconded from home when she realised her parents were looking for a suitable husband for her.  Rejecting this fate, she lived with two female flatmates, enjoying an independence that would have been the envy of many an Edwardian woman and remained unmarried, enjoying her favourite pastimes of fishing and poker, for the rest of her life.

Testing the quality of oil in the tank, Dorothy Levitt

Unsurprisingly Levitt was a champion of female motorists.  She wrote a regular newspaper column for the weekly publication, ‘The Graphic’, and gave lectures encouraging women to take up driving.  In 1909, in an attempt to demystify and de-masculinise driving and car maintenance, she published The Woman and the Car: A Chatty Little Hand Book for Women who Motor or Want to Motor.  With chapters entitled ‘The Car – Its Cost, Upkeep and Accessories’, ‘The Mechanism of the Car’, and ‘Troubles – How to Avoid and How to Mend them’, and sensible tips including ‘Always regard pedestrians, whether males, females or infants as uncertain in their possible actions, Never take it for granted that the other driver will certainly do the right thing, Never allow yourself to get flurried in the face of danger and remember that your coolness may save the situation.’  

One of her tips was ‘always to carry a hand mirror with you so that you could check what was happening behind you.’  As this was seven years before the rear view mirror came into being, Levitt could be seen as its early proponent.  Levitt’s book opened up driving – and the freedoms it brought –  to many women

Dorothy demonstrates how to prime the carburettor. Photograph from Dorothy’s book: The Woman and the Car

Levitt had many other speed related strings to her bow.  In 1903 she won the inaugural Harmsworth Cup for motor boating in Cork, Ireland and later went on to set the world’s first water speed record, achieving a speed of 19.3mph at the helm of a speedboat.  She also conquered the air, learning to fly in France alongside Raymonde de Laroche (1882 – 1919), considered the world’s first woman to pilot a plane, although there is uncertainty about whether she ever officially qualified to fly.

Sadly Levitt died relatively young in 1922 at her home in London.  The circumstances surrounding her death remain unknown but a verdict of ‘misadventure’ was recorded at the inquest.

Although many people consider Levitt’s career to have been started by Selwyn Edge as a publicity gimmick, no one can dispute that Levitt ran with the brief far further and faster than he – or anyone – would have imagined she could.

This is an extract from Louise Peskett’s forthcoming book, Brighton Women, the Notable and the Notorious: A Guided Walk

Museum Mentors Online: June 2020

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

In the last few weeks members of our Museum Mentors groups have received colouring in cards and pictures of interesting objects from Brighton Museum collections which we hope will inspire artwork, be interesting to look at, or just be cheering during this time of lockdown.

We’ve been lucky enough to see some of the great work being done at home by our members and to get lovely emails thanking us for the post. 

Ossie has been busy making lots of artwork, below is his teapot drawing, with the photo that inspired it:

Ossie

This bird illustration from a beautiful mug in the Willett Collection is a favourite with many people who come to our groups:

Curator Cecilia Kendall tells us that this mug was made in Staffordshire and dates from c1880, it depicts a bullfinch and another bird with their nests, representing Peace and Plenty/Health and Happiness.

Below are two versions of the bird, by our artists Ossie and Paul:

Ossie

Paul

Here is another artwork by Paul, his coloured in version of Philip’s drawing of Arundel Castle:

Paul

Paul often uses many bright colours in his work and adds lots of words too, if you look closely you can read “who’s up the watchtower steps” top left on this piece.  

Finally a little preview of what is being sent out next to our members:  

There’s lots of seaside themed inspiration from museum collections put together for us by Collections Assistant Lucy and some new colouring cards. We hope you like it and we can’t wait to see your latest artwork! 

That’s all for this week. Look out for more Museum Mentors group updates soon.

Discover More

You can find us online via

 Sally Welchman, Museum Mentors