Story Category: Legacy

February 20th: World Whale Day!

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Today is World Whale Day (20th February)

We are privileged to have one of the magnificent mammals in our collection.

The Royal Pavilion & Museums Review, David Bellamy with our Orca, 1990

The Royal Pavilion & Museums Review, David Bellamy with our Orca, 1990

The female Orca whale was washed ashore opposite the Brighton Aquarium, 22nd May 1935. The cause of death was evidently a blow from the bow or screw of a ship. The estimated time of death was 14th May 1935.

Accession Register Entry for our Orca, 1935

Accession Register Entry for our Orca, 1935

Our Orca when on display in the Booth Museum

If you’re in Falmouth, why not pop into the National Maritime Museum and see our Brighton Orca, whose skeleton is the centrepiece of their fantastic Monsters of the Deep exhibition!

A whale selfie from the Booth staff

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Lee Ismail, Curator of Natural Sciences  

February 19th: World Pangolin Day!

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The Tree Pangolin

This specimen from the RPMT collections was recently ‘virtually donated’ to Lauren Laverne’s 6 Museum as part of her 6 Music Breakfast Show.

Exhibit #10: Taxidermy Mount of a Tree Pangolin from the Booth Museum 

Exhibit #10: Taxidermy Mount of a Tree Pangolin from the Booth Museum

It is a Victorian taxidermy example of a Tree Pangolin (Phataginus tricuspis), a scaly mammal native to Western and Central Africa. Pangolins are the only scaly mammals on earth, and there are eight different species found across Africa and Asia.

Tragically, because of false medical beliefs they are now the most trafficked mammal on the planet, and are killed in their hundreds of thousands every year. All eight species are endangered – some critically. So this World Pangolin Day (February 19th) let all your friends know about their plight!

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Lee Ismail, Curator of Natural Sciences  

Some very hungry Scarlet Tiger moth caterpillars

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Our Head Gardener Rob has just snapped these beauties on our comfrey – absolutely lovely they are!

A bunch of Scarlet Tiger moth caterpillars, and very hungry ones too by the looks of the leaves.

They will eventually grow in to stunning Scarlet Tiger moths, and are very welcome in our garden here at the Royal Pavilion.

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Rob Boyle, Head Gardener

Telling Tales

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The ancient art of storytelling has often been enhanced by some kind of visual element, from hand shadow characters in front of the fire to the latest blockbuster movie at your local cinema.

You can learn more about these and the magic of early cinema and filmmaking at Hove Museum Days of Wonder festival, 17-19 February but for now our Collections Assistant Alexia explores their origins. 

Slide workshop image

Slide workshop image

As early as the 1600s, magic lanterns have been used to project images to an audience, shining a light through small glass slides with pictures on. They hold a fascination for us, which perhaps has its origins in an art form much older than the magic lantern.

The ancient Egyptians knew how to make and colour glass 3000 years ago. Over time this knowledge developed and eventually the stained glass window began to appear. Initially used in small quantities in wealthy homes, from the churches had these decorative and instructive windows installed from the twelfth century onwards . Painton Cowen, a writer and photographer of stained glass, describes them as ‘instruments of mass communication’ and ‘an invaluable teaching aid…to the majority who could not read or understand Latin’. Could we not say the same of lantern slides?

Bible story

Bible story

Church stained glass windows were used to show stories from the Bible in glorious colour while the priest provided the narrative. Similarly, a typical lantern show would be accompanied by a narrator, following a pre-written script or reading, or performed from memory. In fact, lantern presentations of the parables eventually became very popular, and some churches still have the lanterns and slides that were used.

A single picture can give the viewer a certain amount of information; combining a series of pictures and showing them in succession enables the narrator to move the action forward to a conclusion. Some of the earlier lantern slides, known as panorama slides, were long pieces of glass with parts of the story drawn on by hand. The lanternist would simply push the glass along until the next part of the story was showing on the screen. Later, commercially produced sets became available, with numbered slides and a corresponding reading.

In the 1890s, George Albert Smith and James Williamson were both experienced lanternists when they began experimenting with the new medium of film. They were able to use their knowledge of lantern slides as visual inspiration, a storyboard which they could translate into moving images.

Miller & Sweep

Miller & Sweep

This encounter between two dusty workers led to Smith’s fast and furious The Miller and The Sweep in 1897. Williamson must have felt that this horse-drawn fire engine would be much more exciting if the audience could watch it hurtling towards them, and it became a scene in his 1901 film Fire!

Fire

Fire

So, if this has fanned the flames of your imagination, come along to Hove Museum for the Days of Wonder festival, 17-19 February, find out more about magic lanterns, and go home with tales to tell!

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Alexia Lazou, Collections Assistant

UK Census 1921, Preston Manor

Restored south wall of Preston Manor from croquet lawn, May 2017

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

The release to the public of the 1921 census on 6 January 2022 has opened the door to a day in the life of Preston Manor when it was a private house. The Manor would not become a museum until 1933.

Preston Manor

Preston Manor

The census was taken on the night of 19 June 1921 and reveals ten residents, three of whom were unknown until now.

The 100-year rule

The 1921 census was conducted under the Census Act 1920, which is still in force. For reasons of confidentiality 100 years must pass before the results of a census can be made public. People alive today who were born before 19 June 1921 will appear on the 1921 census. There are plenty, because in 2020 there were 15,120 centenarians in the UK.

A Member of Parliament tells an untruth

The head of the household, Charles Thomas-Stanford was aged 63 when he completed the 1921 census return for Preston Manor along with nearly 38 million English and Welsh individuals in 8.5 million households. Charles’s wife Ellen was aged 73, yet he records her as 71.

Portrait of Sir Charles Thomas-Stanford, 1913

Charles was a gentleman historian who had done a great deal of work on Stanford family history. He knew his wife’s age. Yet in a gentlemanly lapse he ‘forgets’ his wife’s 1848 birth year. Chivalry regarding tweaking their ten-year age difference seems to have overshadowed his honesty. Under Section 8 of the Census Act 1920 persons making a false declaration ‘shall be liable on summary conviction’ (and a trial at a magistrate’s court) and face a maximum fine of £1,000. Charles was a Member of Parliament. He knew the law and got away with breaking it.

Until now, the similar ‘mistake’ made by Charles on the 1911 census return could be regarded as a genuine error. In 1911 Ellen is listed as aged 55 when she was, in fact, 63. The big reveal of 2022 points to Charles’s habit of telling untruths in the declaration of his wife’s age.

Portrait of Ellen Benett-Stanford, 1895

Charles and Ellen both died in 1932 and because of the loss of the 1931 census we will never know what Charles wrote as his pen hovered over the census form of the previous year.

The Preston Manor household in 1921

On the night of the 1921 census there were ten persons resident in the house, two householders and eight domestic servants. Additionally, the chauffeur and his wife lived in separate accommodation in the Manor grounds. The live-in servants already known were Emma Maria Cherriman, a cook, aged 48, and George Cherriman, a gardener, aged 43 — this couple were husband and wife. There was also Maurice Elphick, a butler aged 36; Emily Ellen Holkham, a parlour-maid, aged 25; and Ethel Hilda Silverson, a housemaid, aged 15. The three so-far unknown servants were Elizabeth Hubbard, a housemaid, aged 50; Clara Dellow, a lady’s maid, aged 50; and Susan May Leonard, a housemaid, aged 21. These three women are a fascinating addition to the Preston Manor story.

Maurice Elphick, butler

Maurice Elphick (1885-1982) is a historical heavyweight in the Preston Manor story, so finding him on the 1921 census is no surprise. Born into an East Sussex farming family Maurice excelled as the perfect loyal butler to Charles and Ellen Thomas-Stanford. He served the family from 1902 aged 17 until the deaths of his employers in 1932. Mr. Elphick stayed on at Preston Manor working as a museum custodian, eventually retiring in 1957 at the age of 72. Mr. Elphick served in the First World War and married in 1922. The couple lived in a small cottage in the Manor grounds. The Elphick’s only child — a daughter Audrey, born 1928 — was the last person to be born on the Preston Manor estate.  

Maurice Elphick in the 1920s

Maurice Elphick in the 1920s

Mr Elphick's postcard of Preston Manor donated by him in 1979

Mr Elphick’s postcard of Preston Manor donated by him in 1979

Much is known about Maurice Elphick. His claim to fame, amongst many, is his preventing a fire at Preston Manor on 5th June 1940. The Chief Fire Officer said, “another ten minutes and the whole place would have been ablaze” due to a workman putting pipes in for lavatory basins leaving a candle under one of the old beams.

Ethel Hilda Silverson, housemaid

Ethel Silverson (1905-1991) is the only person on the Manor’s 1921 census return who was born in the 20th century. Ethel was born on 22nd December, so she was six months into her fifteenth year in June 1921. She worked in domestic service until the age of 24 when she married Frederick Charles Cook from Brighton and they had two children. Together the Cooks set up a successful bicycle business in Hove called ‘Cook’s Cycles’, trading until the early 1970s. During the Second World War Ethel was a Senior ARP (Air Raid Precaution) warden. Ethel Cook was interviewed about her time working at Preston Manor when she was aged 79 in 1984. Her recall of detail was remarkable and invaluable. Ethel died aged 86 at her home in Southwick, West Sussex.

George and Emma Maria Cherriman, gardener and cook

George and Emma Cherriman were married in Surrey in 1907. George worked as a gardener in East Croydon in 1911 before taking the job of gardener at Preston Manor. George had three brothers and four sisters. Brother William, a former groom, enlisted in the Royal Army Veterinary Corps in 1915. In 1921 George was aged 43 and Emma 48. They had no children. After Preston Manor became a museum in 1932 George worked as a gardener for Brighton Corporation.

George Cherriman and Apple Blossom the dog 1952

George Cherriman and Apple Blossom the dog 1952

Emma Cherriman gravestone

Emma Cherriman gravestone

Emma was not a professional cook, so a question arises as to why she appears employed as such in 1921. The Manor’s cook in this period was 52-year-old Sarah Ann Storey. The June date of the census (postponed from April due to industrial unrest) has revealed many people away from their usual residence due to being on holiday. Perhaps Emma Cherriman stepped in briefly to cook in the absence of Mrs. Storey. All previous records show Emma as taking on rough household work. Interviewed in 1984 Ethel Silverson said, ‘Mrs Cherriman used to come in once a week and clean the house of the – servants’ hall. She used to scrub that floor once a week, and it was really white when she’d finished it. It was beautiful.’ George died in 1955 and Emma in 1950. They are buried together in a marked grave in St. Peter’s churchyard next to Preston Manor

Emily Ellen Holkham, housemaid

Emily ‘Nel’ Holkham (1897-1946) was the daughter of a carpenter in Partridge Green. She started work in domestic service aged 15 when her father died. In 1923 Nel married a local handyman, Cecil Frank Lassetter, known as ‘Las.’ He helped to put up the iron gates on the London Road exit to Preston Manor.

At the time of their wedding Nel was already pregnant with their daughter who was interviewed in 1985 about her mother’s life. Las had three brothers and two sisters, and they grew up in Kingsley Road near Preston Manor. Emily ‘Nel’ died of tuberculosis in 1946 aged 48. Las outlived his wife by 23 years dying aged 79 in 1969.

Ellen Holkham and dog, 1920s

Ellen Holkham and dog, 1920s

James and Ethel Watson, chauffeur and his wife

James Watson was born in 1891 in Brighton. In 1915 he married Ethel Hannah Halse who was born in Woolwich in 1887. Much is known about their lives due to interviews with Watson descendants and family letters and photographs. Ethel loathed cooking but enjoyed kicking a football around in Preston Park. Like George and Emma Cherriman, the Watsons had no children of their own. However, in 1929 they adopted a baby boy, John who spent a happy childhood in the family accommodation above the old stables in the grounds of Preston Manor, a building now demolished. In 1921 James Watson, aged 29, was proudly the head of his own household even though he worked in domestic service. In 1932, after the deaths of Charles and Ellen Thomas-Stanford, James received a letter from the Rolls Royce company commending him on the care of his employers’ car (RR Badge No. 2881).

James and Ethel Watson with John c.1932

James and Ethel Watson with John c.1932

Postcard from James to John

Postcard from James to John

Ellen Thomas-Stanford left £100 to James Watson in her will, a large sum at the time and easily enough to put down the £5 deposit needed on their new house in Patcham. In the Second World War, James put his mechanic’s skills to use volunteering for the ARP and the Royal Engineers, Searchlights Department. James died in 1977 aged 86 and Ethel in 1963 aged 76.

Elizabeth Hubbard, a housemaid brushing with fame and horror

Elizabeth Hubbard is a new discovery. She was born in 1868 in Norwood, Surrey. In 1921 she was aged 53 but passing as 50 and still working as a housemaid — a tough job at a time when 50 was considered almost elderly. Little is known of Elizabeth. She was unmarried and left few traces of a life that was certainly humble and unremarkable. However, through her work she brushed against both fame and horror.

In 1911 Elizabeth was employed as a housemaid in the home of widow, Mrs Augusta Ingram born Augusta Kemp of the grand Ovingdean Hall (now a college) near Brighton. Augusta was a cousin of Thomas Read Kemp, the politician and property developer responsible for the Kemptown area of Brighton. Augusta’s brother, Charles Eamer Kemp (sometimes spelt Kempe, 1837-1907) was a famous designer and manufacturer of stained glass, who had apprenticed with Arts & Crafts luminary William Morris. He produced over 4,000 windows and designs for altars, furnishings, lichgates and memorials in churches and major cathedrals such as York and Winchester.

The 1911 census records Elizabeth’s employer as ‘an ‘elderly widow of unknown age.’ She was in fact 86. Fascinatingly, she had been present at one of the bloodiest and most infamous events in the history of British India. Augusta’s first husband, Charles Wade Crump 1825-1857 was a British Lieutenant in the Madras Artillery. He was also a talented artist. Crump was killed in active service at the Siege of Cawnpore, a key episode in the Indian uprisings of 1857, in which Augusta’s life was also endangered.

Crump’s lithograph ‘The Chamber of Blood, Cawnpore, 1857’ can be seen online in the collection of the National Army Museum, London. The image speaks as well as words. Following her husband’s death, and when recovered from shock and a life-threatening fever, Augusta returned from India to Britain and married a land agent, William Ingram, in 1861.

The question arises: did Elizabeth Hubbard know of old Mrs Ingram’s past? The answer cannot be known. It is unlikely as housemaids did not usually have intimate conversations with their employers and knew only that which they saw or heard while going about their duties. Augusta died on 26 July 1914 two days before the start of the First World War. After which time, Elizabeth Hubbard disappears from record until re-appearing at Preston Manor in 1921.

Clara Dellow

Clara Dellow is a new discovery. She was born in 1870 at Buckland near Reigate in Surrey and was aged 50 in 1921. Clara worked as lady’s maid for Ellen Thomas-Stanford, her profession since at least 1901 when she worked at the beautiful Caversfield House in Oxfordshire, now used as a film location. Clara was the daughter of a coachman and one of eight sisters who were (eldest to youngest) Elizabeth, Clara, Rose, Floren, Edith, Alice, Annie, and Ellen. There were also two brothers Frank and George. Clara never married and appears to have surrounded herself with women.

In 1911 she was employed as a lady’s maid in an unconventional household in a manor house similar to Preston Manor, a house now called Park Cottage in Withyham, East Sussex (Grade II Listed in 1982). The household was headed by Miss Muriel Gertrude Elizabeth Harris, whose brother Sir Austen Edward Harris rose to Director of Lloyds Bank. The residents were a group of young people reminiscent of the household in E.M. Forster’s 1910 novel, Howards End.

Gertrude was aged 34 and living ‘by private means’ along with three well-off women friends, Margaret Noel aged 29, Sybill Fawkes aged 24 and Dorothea Moore also 24 with her brother Roland Moore a 23-year-old ship owner. These five young people were looked after by nine young female servants including Clara Dellow, then aged 39 and one footman aged 26. There was no one in the household over the age of 39. Unusually, one of the housemaids was married: 29 year old Jennie Geer had a one-year-old son, Austin Geer, listed on the 1911 census as ‘visitor.’ Jennie was ‘born at sea’ in 1882. Jennie’s husband, Charles Barnham Geer worked in domestic service as a valet.

After 1921 Clara disappears from record until 1938 when the electoral register shows her living with Elizabeth Chandler at 20 Kymberly Rd Harrow on Hill, now the site of a modern shopping mall. In 1939 Clara was living with Louisa Dellow aged 59 a retired domestic nurse at the same address. Clara died on the 3rd June 1948 aged 78, a spinster with probate to Edith Rogers, spinster leaving effects of £393 14s 9d (about £15,000 today)

Susan May Leonard

Susan May Leonard is a new discovery. Little is known of her aside from the fact she worked at Preston Manor as a housemaid in 1921 aged 22. She was born in 1899 at Smarden in Kent the daughter of a farm labourer. Susan died of unknown causes in 1931 aged 32.

1921

The 1921 census provides a wealth of information for family historians as the population of Britain was asked for more details about their lives than in any previous census.

In 1921 the country was recovering from the devastating 1914-1918 war and the worldwide influenza epidemic that followed. The 1921 census showed Great Britain had a population of 42,767,530 in 1921, an increase of 4.7% over 1911, with 20,430,623 males and 22,336,907 females. For every 1000 men there were 1,096 women. In Wales people were asked if they spoke English and Welsh, English only, or Welsh only. For the first time in census history divorce was listed as a marital status option.

Although the census is taken every ten years this is the last big reveal until the opening of the 1951 census in 2052. This is because the entire 1931 census was destroyed in an accidental fire in the Office of Works store on 19 December 1942. There was no 1941 census because the country was at war.

Paula Wrightson, Venue Officer Preston Manor 

A look at Rudyard Kipling’s House, Rottingdean

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The 18th January is the anniversary of the death of one of England’s foremost writers, Rudyard Kipling (30 December 1865 – 18 January 1936)

In 1897 Kipling moved to Rottingdean, where he lived until he relocated to the more rural Bateman’s in 1902.

A series of postcards illustrate his house in the village.

Rudyard Kipling's House, Rottingdean

Rudyard Kipling’s House, Rottingdean

Rottingdean - The Lynch Gate and Rudyard Kipling's House

Rottingdean – The Lynch Gate and Rudyard Kipling’s House

Rudyard Kipling's House, Rottingdean

Rudyard Kipling’s House, Rottingdean

Rottingdean, Rudyard Kipling's House

Rottingdean, Rudyard Kipling’s House

Lynch Gate & Kipling's House, Rottingdean

Lynch Gate & Kipling’s House, Rottingdean

Rudyard Kipling's House, Rottingdean

Rudyard Kipling’s House, Rottingdean

The Big Bowie Draw

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It’s been a while since we had our Midweek Draw, so we thought we would do a special Bowie Inspired Draw to celebrate what would have been his 75th Birthday on the 8th. 

Happy Birthday Starman.

Will you be inspired to draw your own Ziggy? Please do share and celebrate with us if you do.

 

David Bowie photographs Copyright, Geoff MacCormack.

David Bowie by Beth

Draw Artists

We are very pleased to see that some of you have taken part in our Bowie Draw, here are some of the fantastic works that have been sent in.

Ian, https://www.instagram.com/beav.art

Aladdin Sane by Ian Leaver-Blaxstone, https://www.instagram.com/beav.art

David Bowie by Toby Goodyer

David Bowie by Toby Goodyer

Join In

If you are tempted to have a go, please share your drawings with us! We would love to see them. Email them to Beth at beth.burr@rpmt.org.uk.

Tweet @BrightonMuseums or tag @brighton_museums on Instagram. If you are uploading them to Facebook with pride, share the URL in the comments section below.

Additional Bowie idea:

Why don’t you have a go at your own stencil? Photocopy an image you are inspired by. Adjust the printer contrast so the image is extreme dark & light. Using a craft knife, carefully cut away the dark sections. You are now ready to stencil. Use spray paint for best results!

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Beth Burr, Museum Support Officer

Happy New Year!

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Wishing you all a very happy and healthy New Year, with a selection of our Victorian New Year’s cards.

May every thrill of joy this New Year brings, Be but the harbinger of brighter things!

Wishing you a Happy New Year

Wishing you a Happy New Year

I’ve just dropped in, you need not fear, to wish you all a Happy New Year

Forward in the New Year! Put that in your pipe and smoke it

New Year Greetings, with kindest regards

A Happy New Year to You

A Royal Pavilion Wedding, 27 December 1830

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On 27 December 1830, Amelia Fitzclarence, one of King William IV’s illegitimate daughters with Mrs Dorothea Jordan, married Lucius Cary, 10th Viscount Falkland, at the Royal Pavilion. 

“Portrait of William IV” by John Simpson, showing a full length portrait of William the Fourth in Coronation robes. 1830.

This may sound odd, but the many children William IV had with Mrs Jordan were accepted and treated with kindness by Queen Adelaide, who was also present. At the time of the wedding, Lucius Cary was made Lord of the bedchamber to the King. Amelia then became Viscountess Falkland. William and Adelaide stayed at the Pavilion on this occasion from 18 December 1830 until 21 February 1831.

Queen Adelaide b1782 d1847″ by John Simpson, showing a full length portrait of Queen Adelaide in Coronation robes. 1832.

There are no pictures of the wedding, sadly, and we don’t know where in the Pavilion the wedding ceremony took place, but it is likely that it was in the Royal Chapel (not to be confused with the Chapel Royal in North Street) just to the south-east of the kitchen area of the Pavilion. A rare image of the Chapel interior (which was originally the Castle Inn ballroom) shows William and Adelaide in attendance at the in the early 1830s.

Interior of The Royal Chapel, Brighton, c.1833

The Chapel was demolished in the early years of municipal ownership (1850s), and nothing of it survives on this site, but door on the south wall of the Table Deckers’ Room (between the Great Kitchen and the Banqueting Room) that led to the corridor to the Chapel, is still there. The organ from the Chapel is now installed in the Music Room of the Royal Pavilion. Although it is currently not in working order, it was probably played at Amelia Fitzclarence’s wedding in 1837.

Alexandra Loske, Curator, Royal Pavilion

Prince Albert driving the Queen and Princess Royal in their Sledge, at Brighton, 1845

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This print of Queen Victoria’s last recorded visit to the Royal Pavilion, in February 1845, was published in The Illustrated London News. It is one of the most popular images in our collection, perhaps because it looks utterly romantic.

Who’s in the driving seat of that magnificent sledge?

Prince Albert, Victoria’s husband since 1840, is shown proudly driving a dark green and golden sledge through a wintry landscape on 11 or 12 February 1845. Victoria is sitting in it, looking at Albert. They are accompanied by either the Duchess of Kent or Lady-in-Waiting Sarah Lyttleton, who is holding Victoria the Princess Royal, their second child. They ventured as far as Patcham and Clayton in their ‘pretty, smart sledge’. It was made by Hooper & Co and survives in the Royal Collection. In other prints the sledge is depicted as red, and this is the colour of its upholstery now.

Pretty horses

Victoria loved horses and was a good rider. On her first visit to Brighton, in 1838, she had brought her favourite horse, Comus. About this sledge trip she noted in her diaries, ‘The horses with their handsome red harness & many bells, had a charming effectThe bright blue sky & sunshine, together with the sound of the bells, had a very exhilarating effect.’. The bells were made of silver, and the horses were sporting ostrich feathers. The horses were in fact Scottish ponies, named “Keith” and “Kintore”.

A snow-capped Pavilion

We can see the Pavilion’s snow-capped domes in the distance, looking very much like a fairy-tale palace. The tall fir trees shown to the right of it add to the romantic feel, and may even be a nod to Prince Albert introducing the German Christmas tree to England.

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Alexandra Loske, Curator