Suggested words
Ridgway 1912 Blues. A colour chart of different shades of blue.
Into the Blue
Image: The Ice Maiden or Everything about her was white, 1915 Edmund Dulac
The Ice Maiden, 1915 Edmund Dulac

Into the Blue
Prints & Drawings Gallery, Brighton Museum and Art Gallery
2 May – 20 September 2026

This summer, dive into the deep blue sea and sky with us. Seen from space, our planet looks like a blue marble. What we see when we look up on a cloudless day is a bright blue sky, and at night the firmament often appears inky blue. We seem to be surrounded by blue on a cosmic, all-encompassing scale.

Unsurprisingly, humans have been fascinated by blue for thousands of years, and have attached a myriad of different meanings, mythologies, and emotions to it. Countless writers, poets, painters, filmmakers, and designers have been inspired by blue and dipped into its mysterious allure. Some of the greatest and most spiritual works of art have been created using powerful blues.

But while we look up at blue skies, as a pigment, the colour blue is difficult to source. There have been some glorious blues in history, including the luminous Egyptian blue, the intense Ultramarine blue made from lapis lazuli, and more recently artificial ones such as Yves Klein Blue and YInMn Blue.

For this new display, curator and colour historian Alexandra Loske chosen a selection of blue prints, drawings and paintings from Brighton & Hove Museums’ collections. Each one tells a different blue story.

Dive Into the Blue at Brighton Museum & Art Gallery

Image: The Ice Maiden or Everything about her was white, 1915 Edmund Dulac
The Ice Maiden, 1915 Edmund Dulac
South Gallery aquatint
The South Gallery of the Royal Pavilion in c1823. aquatint
Landscape with Rustic Hut, Frank Brangwyn, 1920. FA100119
Landscape with Rustic Hut, Frank Brangwyn, 1920. fa100119
The Palette for painting Blue Satin, from a 1839 painting manual. Courtesy of Alexandra Loske
The Palette for painting Blue Satin, from a 1839 painting manual. Courtesy of Alexandra Loske
Blue blot from Martha Gartside's book An Essay on Light and Shade, 1805. Courtesy of Alexandra Loske
Blue blot from Martha Gartside's book An Essay on Light and Shade, 1805. Courtesy of Alexandra Loske