Story Category: Legacy

Arctic Objects in the World Art Collection

Jonathan King examining objects from the Arctic

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Jonathan King from the British Museum visited Brighton Museum & Art Gallery recently to help us learn more about the Arctic peoples’ objects in the World Art collection.

Jonathan King examining objects from the Arctic

Jonathan King examining objects from the Arctic

These objects came from different sources and donors and were originally collected by European traders and sailors in the nineteenth – and early twentieth century; for example, Frederic William Lucas acquired many carved ivories, probably at auction.

Arctic peoples have lived in the regions of Northern Canada, Greenland and Alaska for 1,000s of years. Originally the people came from Siberia across the Bering land bridge, which once joined eastern Siberia with Alaska.

Traditionally the Arctic peoples were nomadic hunters and we have many weapons and tools, used for hunting whales, seals and caribou, in our collection along side sewing implements, domestic items, decorative pieces and animal carvings made from walrus and seal bones.

Jonathan supplied invaluable information about the objects, explaining and demonstrating how hunting tools were made and used.

Pipe detail

Pipe detail

He also provided insight into the engravings that decorate objects such as this Siberian-type pipe from Alaska (above) on which a hunting scene is depicted. The feathers in the walrus’s and whale’s mouths are a motif used by Arctic artists to represent a mammal surfacing for air from the water.

The objects decorated with hunting scenes served as diaries of the hunters’ exploits. Other carved objects like this small figure on a sledge were used for trade or sold as souvenirs.

Man on sledge

Man on sledge

The Arctic peoples made many animal carvings, which demonstrates a keen knowledge of animals and respect for their environment. Some carvings were made as toys for children.

Polar bear carving

Polar bear carving

They might also have been worn as amulets for protection on hunting trips. Many were also made for sale to European traders and sailors. The polar bear carving to the left is an example.

These cheek studs, from our collection, would be worn by Arctic hunters to mimic walrus tusks. The hunter would believe themselves to be imbued with a walrus spirit.

Cheek studs

Cheek studs

Some of these Arctic objects will be displayed in the new World Stories gallery opening next year.

Lucy Faithful, Assistant Curator of World Art

The Big Butterfly Count and the Booth

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The Big Butterfly Count is a nationwide survey aimed at helping to assess the health of our environment. It was launched in 2010 and 10,000 people took part, counting 210,000 butterflies and day-flying moths across the nation.

Marbled White

Marbled White

Butterflies react quickly to changes in their environment which makes them excellent biodiversity indicators. Marked declines in butterfly numbers are an early warning for other wildlife losses, making a count of their numbers important. This year’s big butterfly count runs until the 31st July 2011.

In preparation for this year’s event, Dan Danahar, from Dorothy Stringer High School, produced an identification poster using butterflies held in the collections of the Booth Museum. The collections at the Booth include examples of almost all known British Lepidoptera (butterflies and moths) and some date back more than 150 years. Whilst they were once collected for the pleasure of Victorians, they are now used by scientists for research and identification, as well as by artists and schools.

Common Blue

Common Blue

The poster has been distributed to local schools, and is being given away with school loans at the Booth, while stocks last. The poster shows a selection of common and rare butterflies recently recorded in Brighton and Hove, and each picture shows the markings on both the upper and lower surfaces of the wings.

Peacock

Peacock

This year’s Big Butterfly Count kicked off at the Liz Williams Butterfly Haven in the grounds of Dorothy Stringer High School, where children from the Dorothy Stringer Creche, Balfour Infants School and Dorothy Stringer Secondary School, plus students from Downsview special needs college, came to see wildflowers and butterflies. Dan Danahar has described the day.

The clouded yellow proved such a hit as it is a migrant to the United Kingdom. Native to North Africa and Southern Europe, it does occasionally stay over winter, but the larval forms are easily killed by damp and frost, both of which are common features of the British winter. These butterflies breed continuously, instead of seasonally, and can have up to 3 broods of young each year, in the United Kingdom.

Clouded Yellow

Clouded Yellow

The caterpillars favour clover and lucerne plants, as well as birds-foot trefoil. The adults feed on nectar from a variety of flowers including dandelions, thistles and marjoram. Although most commonly found near the coast of Britain, many do fly inland, and they are found across the United Kingdom in the warmer months, reaching as far as Scotland and Ireland in good years. On rare occasions large numbers of clouded yellow’s can occur and in 1947 over 36,000 were seen.

Lee Ismail, Curator of Natural Sciences

Preston Park

Preston Park, Brighton

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Summer Flowers in Preston Park

Summer Flowers in Preston Park

The 23rd – 31st July marks Love Parks Week. In honour of the occasion, Brighton History Centre takes a look at the history of Preston Park.

The park opened in 1883 on land purchased from the Benett-Stanford family of Preston Manor. The new park contained tennis courts and bowling greens as well as landscaped walks. It was officially opened by the Mayor of Brighton, Arthur Cox on 8 November 1884.

A cricket ground and a cycle track were added in 1887 as well as a tea chalet which housed the park police in the upper rooms. A free standing clock-tower was unveiled on 17 June 1892 and bore the following rhyme,

‘Here I stand with all my might to tell the hour day and night. Therefore example take by me and serve thy God as I serve thee’.

Tragedy occurred in August 1895 during a firework display, a mortar designed to be fired high into the air, exploded on the ground. Several people were seriously injured by shards of metal. One of the victims, fifteen year old George Carpenter, later died of his wounds.

Baseball game programme, August 1917

Baseball game programme, August 1917

For most Brightonians, their first experience of a baseball game came in August 1917 when a match took place in the Park between Canadian and American teams, in aid of the British Red Cross Society. Henry Roberts, Director of Brighton Museum & Art Gallery, helped organise the event and he was overheard to say that he had bought up all the chewing gum in London for the benefit of the Americans.

A First World War tank was a feature of the Park for over twenty years. On January 10 1920, the Mayoress of Brighton, Miss E. R. Palfrey, smashed a bottle of Champagne over the tank and ‘christened’ it ‘The Brighton’. The tank was a gift to the town in recognition of Brighton’s contribution to the war savings campaign.

Baseball Advertisement

Baseball Advertisement

Preston Park was re-opened on 22 July 1929 by the Mayor of Brighton, Herbert J. Galliers. The Brighton Herald included a lengthy description of the newer sections of the park and illustrated it with photographs.

Of particular note was the Rotunda Café. The article described the interior decoration;

‘ The walls are of orange, the round ceiling of cream, with a bronze centre also of orange; and the French windows are of a delicate gray … a refreshment house such as this on a Continental “plage” would make the reputation of the place.’

A common myth is that the Rotunda was brought from the British Empire Exhibition at Wembley following its closure in 1925. In fact, it was the work of Brighton Corporation’s Superintendant of Parks & Gardens, Captain Bert Hubbard MacLaren.

The Chalet, The Clock Tower, Lovers' Walk

The Chalet, The Clock Tower, Lovers’ Walk

MacLaren also made use of material from other sites. The four statues representing Spring, Summer, Autumn and Winter, which had adorned the Aquarium clock tower until its demolition in 1927, were placed in the larger flower garden. The circular pond contained fountains, the heads of which were in the form of dolphins retrieved from the site of Brill’s Baths. The baths had been demolished for the Savoy Cinema in 1929. MacLaren even re-used the seat frames from the Aquarium which he had converted and re-upholstered and placed in the Rotunda lounges.

Paul Jordan, Senior History Centre Officer

The Royal Pavilion Saloon Carpet

View of Saloon.

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Rolling up the original Saloon carpet

Rolling up the original Saloon carpet

If you visited the Royal Pavilion last week, you may have spotted a piece of the original Saloon carpet in the Music Room. Long held in storage, this piece of carpet  is on loan to us from HM The Queen.

This hand-knotted carpet has been re-assembled from fragments of the original carpet commissioned by King George IV, designed by Robert Jones, and made by Samuel Whitty of Axminster, Devon, for the Saloon in 1822. It consists of four quarters stitched together as a rectangle. Sadly, the centrepiece of the original design was cut out when the carpet was removed from the Saloon between 1845 and 1847 after Queen Victoria’s decision to sell the Royal Pavilion. Parts were used at Buckingham Palace, but this is the only section to survive.

Aquatint showing the Royal Pavilion Saloon, 1824

Aquatint showing the Royal Pavilion Saloon, 1824

The Saloon carpet was the finest of the three famous hand-knotted carpets made for the Banqueting Room, Music Room, and Saloon by Whitty’s of Axminster. The Music Room carpet was reconstructed in 1986 and we are seeking sponsorship for the recreation of the Saloon carpet. This faded and mutilated fragment, which includes a border taken from another carpet, provides vital evidence for making a replica of the original. When reinstated in the Saloon, together with remade curtains in ‘His Majesty’s geranium and gold colour silk’, the carpet will provide that element of voluptuous comfort for which the Pavilion was famous.

The William IV Gate and a melancholy event, 1852. Part III: Tuesday

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The William IV Gate

The William IV Gate

As St. Swithin’s day approaches on the 15th we finish our true tale of a weather disaster from February 1852. If you missed the first two parts you can recap on the events of Sunday night or Monday night .

Given the difficulty of closing The William IV Gate the night before Bill Snow decided against opening it on Tuesday and retired to his warm rooms.

The weather on Tuesday 10 February 1852 was very unsettled. Bill only opened the eastern gate and huddled in his Lodge against the squalls. Late in the afternoon the bad weather intensified, and the skies turned black. Hail, rain and sleet followed and passers by took shelter in the gateway, just as they do today.

The wind blew in gusts from all directions and as the crowd grew, there was laughter and embarrassment as the ladies skirts were blown. Just before four o’clock, the rain became horizontal while sunlight picked its way through the mist creating dancing rainbow effects. Then an almighty gust blew.

In his Lodge Bill heard a loud rumbling noise like thunder followed by a loud bang.

Outside, Mrs Langridge and her two daughters were enjoying the dramatic storm but as she too heard the noise, she called to her little girls, “run, run” as she saw the gate collapse inwards.

Amidst loud screams, she saw with horror that although her youngest had escaped, her 12 year old had been caught by the gate as it fell, knocking her unconscious, bleeding and left lying partially under the gate, injuring her feet. Most horribly, it was clear that other people had also fallen and lay crushed under the gate.

In silence, the men struggled to lift the gate and the injured were removed. The gate was let down again, injuring another in the process. One of the injured was a young woman and the other a gentleman, both severely wounded.

A doctor was called for and one of the men ran across the gate, but it being wet he slipped and fell heavily. Picking himself up he ran to get the well known and respected doctor ,Mr John Lawrence Senior, who lived nearby at Grand Parade, and was the late Surgeon to the Sussex County Hospital. He asked for his urgent assistance to a dreadful accident, and jumping into his carriage, Mr Lawrence was there in under half a minute, soon joined by his son John Lawrence junior, the then current House Surgeon at the Hospital.

Meanwhile Mrs Langridge, wife of the Sussex Clerk of the Peace was bemoaning the injuries to her 12 year old daughter. A man lay in great pain with badly damaged legs – he was Mr Sherriff, a gentleman who lived in Lewes Crescent. Not only were both bones of his right leg broken near the ankle, but also his chest had been badly bruised and his collarbone broken.

But most pitiful of all was a young woman of about 30, recognised by many as Martha Mitchelson, the only daughter of a gentleman who lived at 10 Grand Parade. Her father was called for. Mr Lawrence called for brandy and water and administered it to the young girl, who quickly revived. Then they gave the same to Miss Mitchelson who although conscious did not appear to revive, but said that she was dying.

Passing on to Mr Sherriff, the brandy was gratefully received but he urged both father and son to attend to the ladies and not mind him. He went back to the child and finding that she was much recovered, ordered her to be removed to her father’s house at 5 Marlborough Place where he briefly attended her, bathed her face and wrapped her in warm blankets.

He returned to the scene where his son was attending Miss Michelson. Seeing that she appeared to be incapable of moving neither legs nor arms, and complaining of severe back pain, they diagnosed a broken back and internal bleeding. Her father arrived in less than 10 minutes and rushed to his daughter’s side. “Father” she said, “I am dying”. He turned to Mr Lawrence and asked if this could be true. Sadly, both father and son agreed that she would be dead within 5 minutes. In fact, she lived less than that and was gone.

Both Mr Sherriff and young Miss Langridge survived their injuries. The inquest which followed on Wednesday evening and Thursday morning concluded that there was no undue negligence to be attached to any of the players in this sad affair and that the cause of this melancholy accident was a violent and sudden gust of wind acting on a damaged section of the gate.

They recommended that all the cast iron hinges be replaced by more suitable wrought iron to prevent a reoccurrence of this tragedy. Despite this adjudication, the Surveyor, Mr Stickney, was compelled to resign.

The account of this appalling incident was constructed from detailed accounts and evidence given to newspaper reporters and to the inquest which soon followed, all of which were printed in the pages of the Brighton Herald and the Brighton Guardian. Both of these publications can be found in Brighton History Centre.

John Cooper, Volunteer & Training Manager

The William IV Gate and a melancholy event, 1852. Part II: Monday

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As St. Swithin’s day approaches on the 15th we continue with the second part of our tragic true weather story from February 1852. Catch up with yesterday’s instalment if you missed it.

At the end of the first instalment, Bill was desperately tying to find help after the gate fell off its broken hinge, fortunately he came across a duty policeman and enlisted his assistance. The two men managed to push the gate back into position and closed the second gate against it. With the bolts shut, the gates were safe for the Sunday night.

On Monday morning of the 9th February 1852, Bill Snow surveyed the scene of The William IV Gate and considered his next move.

The William IV Gate

The William IV Gate

At 8.30 he reported the event to Lewis Slight, Clerk to the Town Commissioners – a man of considerable reputation. It was Slight who, almost single-handedly, and against much opposition had been responsible for the purchase of the Royal Pavilion only two years before for the bargain sum of £50,000.

Mr Slight listened to Bill with patience, and once he had established that Bill himself had not been injured, he reassured him that it had simply been an accident, was not his fault and that he should report the matter to the Surveyor’s office.

Finding no one at their desk, Bill returned to his Lodge, and with the morning fine and calm, he was able to open both the gates as usual, although the broken gate hung at an awkward angle, leaning against the wall. About ten minutes past ten, Bill was visited by Tom Oddy, an assistant in the Surveyor’s office. He had seen Mr Slight and heard about the broken hinge and been told to get it fixed immediately.

He and Bill examined the gate, and though he had no sense of imminent danger, said that he would issue an order from his office straight away.  At 10,30, using his official counter-foiled order book, he sent off an order to John Packham & Sons, iron-founders of Western Road to ‘Take off gate North Lodge of Pavilion, repair hinge and re-hang the same’. He gave this to a messenger, David Taylor, and told him to tell Mr Packham to get the job done immediately. But although the order was received, the verbal, urgent message was not.

By this time the Surveyor Richard Stickney had been told of the events surrounding the gate and seeing that an order for repair had been made, decided not to get involved. Later, he was to regret this, thinking that he should perhaps have given instructions that the gate was to be removed and leant against the wall, and that in hindsight, the hinges should have been made of wrought iron and not cast.

Meanwhile, Lewis Slight bumped into the contractor John Packham who told him that the order for repair had been received, but that nothing yet had been done and that his man was busy on Tuesday, but would attend on Wednesday. Whatever Lewis Slight thought of this delay, it was of little value to Bill Snow, who by the end of the day was faced with the difficult job of once more closing the gates.

He approached the Pavilion and asked Mr Edwards who was in charge of a group of workmen if they could lend a hand. Bob Newnham, a bricklayer together with another three workmen went over to help. With the aid of a lever they managed to get the gate into position. They placed wood underneath the gate to help support its weight, and a six-foot length of deal against it and jammed the end into the ground. Though Bill was happier with the gate now secured more safely he regretted that no one had come to repair the gate on that day.

Read the final instalment of the story tomorrow when Bill’s regrets turn to horror…

 

John Cooper, Volunteer & Training Manager

The William IV Gate and a melancholy event, 1852. Part I: Sunday

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As St. Swithin’s day approaches on the 15th we present a true tale of a weather disaster. From the 13th we take a look at a tragedy in three parts…

As Bill Snow emerged from his residence in the Lodge under the North Gate of the Royal Pavilion grounds on Sunday February 8th 1852, into a raw and gusty night, the weather was probably very much on his mind. It had been a harsh winter, with considerable loss of life. Rainfall throughout the country had been high with reports of disastrous flooding. In Brighton the winter had been bitterly cold, wet and windy, and on that evening, a gale was blowing.

The William IV Gate

The William IV Gate

As Porter to the North Gate, it was Bill’s responsibility to close the two huge gates of the Pavilion grounds, every evening at 5.30pm. At the time, the North Gate and its two lodges were only 20 years old, having been built in 1832 with Portland Stone to the orders of William IV at a cost of £3000. The Brighton Town Commissioners had bought the Royal Pavilion in 1850, and Bill had only been in his job for 17 months.

The wooden gates were high and ponderous, made of solid oak; each was thirteen feet high, seven and a half feet wide and three to four inches thick. They had been hung on Collinge’s Patent hinges made of cast iron, a superior construction which meant that in normal conditions, the gates, as heavy as they were, could be opened and closed with ease.

That evening, normal conditions did not apply. As Bill Snow stepped out of his snug Lodge and unbolted the western gate in an attempt to close it, a huge blast of wind tore the gate from his hands, threw him to the ground with great violence and the gate slammed against its stop.

The hinges, being made of cast and not wrought iron, were in fact liable to break under adverse conditions, not envisaged by the builders. And on this occasion, the topmost hinge snapped with a loud crack. The gate sagged alarmingly, and Bill ran to the Palace for help…

Find out if Bill finds the help he needs in tomorrow’s part of the story.

John Cooper, Volunteer & Training Manager

Brighton Celebrates the 1911 Coronation

King George V with an inset panel containing text titled: The King's Message to the Nation.

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100 years ago, on the 22 June 1911, the country awoke on the coronation day of King George V and Queen Mary and it seems that Brighton had eagerly seized on the excuse for a celebration.

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The local press reports that preparations for the day had been intensive. Using 10,000 electric lamps a chain of  “jewelled illumination” had been erected along the 4 miles of seafront. Together with the illuminated piers this spectacle was so novel and impressive that steamer trips were run at night to allow viewing from the sea. Lights were also placed around the Aquarium, Regency Square, Victoria fountain and the Royal Pavilion, the latter had 6 foot high letters “G” and “M” picked out in lights .

Hotels had patriotic displays, and red, white and blue colour schemes were everywhere. A large “illuminated transparency” of the King and Queen with the Brighton Borough arms was erected on the Town Hall. In the evening of the 22nd there were to be firework displays from the piers and a beacon lit on the Racehill.

At ten o’clock on the day itself a solemn service was held in St. Peters attended by the Mayor, Aldermen & Councillors in full official robes, together with town officials. Music was provided by the Brighton Municipal Orchestra and the Parish Church Festival Choir.

At 11.45am there was a parade in Preston Park of all the naval and military units in the town with the firing of a Royal Salute to mark the moment of coronation. This was followed by a fusillade of rifle firing and a march-past with the salute taken by the Mayor in cocked hat and red robes, with macebearer in attendance. The Mayoress stood beside him “a study in biscuit and blue – the blue of intense, royal blueness”. It should have been quite a spectacle, but unfortunately, the Brighton weather did not hold out; not only did the sun not shine but the whole scene was shrouded in mist throughout.

Delia Ives, Volunteer Collections Media Team

Midsummer’s Eve and the Calendula officinalis – the Pot Marigold.

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Midsummer’s Eve usually relates to European celebrations that accompany the Summer Solstice, either on the actual solstice or between June 21 and June 24, depending on the culture.

The celebration predates Christianity and is thought to be related to ancient fertility practices and ceremonies performed to ensure a successful harvest. With the conversion of Europe to Christianity, the celebrations were adapted to honour St. John the Baptist. Some pagan customs still persist, such as the bonfires, which originally were believed to ward off evil spirits, and the focus on nature, which harkens back to when plants and water were thought to have magical healing powers on Midsummer’s Eve.

One such plant believed to have magical properties was calendula (marigolds) which flowers at the beginning of most months. Calendula has numerous mythological properties, such as the ability to strip a witch of her will, or wreaths of marigolds hung over a door would prevent evil from entering. They are specifically picked at Midsummer for their supposed healing properties.

There are a number of marigold species preserved in the Booth Museum collections, however the focus of this blog entry is an pressed example of Calendula officinalis – the Pot Marigold. Although commonly found in Southern England, this example was collected in St Petersburg, Russia.

I chose this particular specimen for its link to the world of medicine. It was collected sometime between 1800 and 1819 by Dr Alexander Crichton. Born in Edinburgh in December 1763, he qualified in Leyden, The Netherlands, in 1783, and worked as a surgeon in several European cities, including Paris, Stuttgart andVienna before moving to London in 1789 and joining the Royal College of Surgeons. By 1791, he had retrained as a physician and held the position of physician at Westminster Hospital from 1794 – 1801.

In 1803 Crichton was offered the position of physician to the household of Tsar Alexander I of Russia, and was evidently trusted as he was made personal physician to the Tsar and the Dowager Empress, as well as becoming the head of all medical services in Russia. He held the position until his retirement in 1819, gaining a number of Russian and Prussian honours on the way.

His position and travels across Europe allowed him to indulge his other passion for the natural world. During his time abroad, he collected a large number of plants, of which our humble Calendula makes up a tiny part of. These plants were all lovingly pressed and preserved in leather bound hardback albums.

One of Crichton’s volumes of plants

One of Crichton’s volumes of plants

Crichton probably had ready access to Calendula in his career, as it was traditionally used in a number of remedies. Modern pharmacological studies have shown fungicidal, anti-viral and anti-inflammatory properties in calendula extracts. It is also used in a number of treatments for acne and dermatitis, however studies are inconclusive on its effectiveness.

Crichton returned to England after his retirement, and died in Sevenoaks in 1856. His grandson, Col. E.D. Crichton donated seven volumes of plants, as well as a huge number of geological samples to the Brighton Museum collections. The majority had been collected by his grandfather during his travels.

Lee Ismail, Curator of Natural Sciences

Reflections on the Solstice

The Goldstone in Hove Park, 1906

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As the Summer Solstice approaches and thoughts turn to gatherings at Stonehenge to watch the sun rise, could it be Brighton and Hove once had its own ritual prehistoric stone circle? Sites such as the Neolithic enclosure at Whitehawk indicate that Brighton was a major prehistoric centre but where is the ‘Brighton Henge’?

The Goldstone in Hove Park, 1906

The Goldstone in Hove Park, 1906

A three metre high stone, known as the ‘Goldstone’, stands today in Hove Park surrounded by a circle of smaller sandstone blocks. This appears to be the product of early 20th century landscaping – but is the story more complicated than this?

The central stone once stood upright in what is now the area near the southern entrance of Hove Park. It attracted so much interest during the 1830s that the landowner buried it to avoid sightseers trampling his crops. It was later located, excavated and eventually moved to its existing location in 1906.

Uncovering the Goldstone

Uncovering the Goldstone

However, there is no real evidence this stone was part of any prehistoric monument.

What appear more interesting are the smaller stones, which currently surround the ‘Goldstone’. These stones originally occupied a site in the northern part of present day Hove Park and from a sketch made in c1828 by H.G. Hine it would appear they were carefully arranged next to each other in a circular formation, similar to other surviving prehistoric stone circles.

H. G. Hine’s sketch

H. G. Hine’s sketch

Around the same time as the burying of the ‘Goldstone’, these stones were removed and used to infill a local pond. They were not seen again until the re-siting of the Goldstone, when a few were used to form the surrounding small circle.

Although the present arrangement of the stones is a modern construction, it is possible that at least some of the stones once formed part of a prehistoric monument; which may have been used to celebrate the solstice. At the very least they act as reminders of Brighton and Hove’s fascinating prehistoric past.

Current view of the Goldstone in Hove Park

Current view of the Goldstone in Hove Park

Andy, Volunteer Local History & Archaeology