Story Category: Legacy

Nature at Home: It’s Not Just Insects

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

This time, we’re looking at organisms other than insects, there are plenty of other invertebrates to enjoy.

Most people I’ve talked to don’t like slugs and snails – maybe it’s because I don’t have a garden and they’re not eating my plants – but I find their little faces ever so charming. There are also fascinating reproductive behaviours to behold. And did you know, some slugs even have a tiny shell ? There are plenty of snails to be found in ponds in gardens or public areas.

Slug (taken with Olympus TG5 point and shoot camera on macro setting) © Lee Ismail.

Great pond snail (taken with Olympus TG5 point and shoot camera in underwater mode) © Lee Ismail.

It seems this post is full of the less popular animals. I know not everyone likes spiders, but there are a huge variety of them. If you can bear it, their features are fascinating under magnifiers or macro lenses. Wolf spiders (Lycosidae) can be seen prowling across grass or sunbathing on walls. They are the gardener’s friend, as they help control pest numbers. Females are often seen carrying their egg sacs around with them. Woodlouse spiders (Dysdera crocata) are another distinctive spider, brightly coloured and with a powerful bite for taking on their woodlouse prey. A minibeast that may appear like a spider but actually isn’t, is the harvestman. They are arachnids but lack the segmented body of a spider.

Wolf spider (taken on a smartphone) © Kerrie Curzon.

Woodlouse spider (taken with Olympus TG5 point and shoot camera on macro setting) © Lee Ismail.

Harvestman (taken with Olympus TG5 point and shoot camera) © Lee Ismail.

Another familiar invertebrate are worms. They are popular as food for many animals such as blackbirds, moles and foxes but they also have an important role while they are alive. Worms tidy up lawns and grassy areas for you. They clear away fallen leaves by dragging them into the ground and perform many useful roles that keep soil healthy and enable plants to grow. They’re also easier to photograph as they’re slow-moving and you can really see the slimy, segmented details.

Worms in a composter (taken with a DSLR camera) © Lee Ismail.

Hopefully pausing to consider these other creatures will allow greater appreciation. Perhaps a closer look will confirm why you don’t like them, but if you can overcome the repulsion you may see something you didn’t know about before.

Get Involved

You can add your sightings to the City Nature Challenge (24th – 27th April 2020).

The Field Studies Council (FSC) has excellent guides for insects, which are often very easy to use and UK Safari has a guide to spiders. 

The Woodland Trust produce handy swatches:

Minibeasts swatch

Invertebrates 

Some useful guides to slugs and snails:

Nature Spot Slugs & Snails

Countryfile How to identify common species and protect your plants

Discover More

Read other posts in the Nature at Home series

Kerrie Curzon, Collections Assistant

Lee Miller, Surrealist, fashion model and pioneering photographer

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

Today we are celebrating the birthday of Lee Miller, fashion model and Surrealist who became a pioneering photographer and WWII war correspondent for Vogue. Part of our 100 Pioneering Women of Sussex blog series.

Self Portrait, modelling Jean Patou, Paris, France 1930 by Lee Miller

Lee Miller was born in 1907 in Poughkeepsie New York, she lived in Sussex from 1949 until her death in 1977.

Every year thousands of people visit the former home of Lee Miller, Farleys House in Chiddingly, which is now a museum. The majority of visitors know relatively little of her life. Perhaps they have seen glamorous photographs of a young Lee modelling for Vogue in 1920s New York, after she was discovered by Condé Nast. Often, they have heard of her in connection with Man Ray, the American photographer and Surrealist, with whom she developed the photographic technique of ‘Solarisation’. They might be aware of Lee’s career as a photographer and her role as a WWII war correspondent for Vogue. Most are surprised to learn that she was an acclaimed Cordon Bleu chef in later life. As visitors are guided around the home she shared with her husband Roland Penrose and son Antony and they hear of her life in more depth, few fail to be profoundly moved by her story and awed by the legacy she left behind.

Shortly after her death in 1977, her family discovered several cardboard boxes in the attic at Farleys, which had remained untouched since Lee and Roland had first moved there in 1949. At that time Lee was suffering badly from Post-Traumatic Stress Disorder, resulting from witnessing the horrors of war. She had packed away everything pertaining to her work as a war correspondent and her previous life, hiding it all in the attic. Opening the boxes, they couldn’t believe their eyes; inside were all of Lee’s wartime reports, her equipment, personal papers and thousands of photographs and negatives. It was an emotional time for Antony, who knew little of his mother’s life as he was growing up. Here was proof that she had not only been an accredited war correspondent, but a combat photojournalist reporting under fire from the frontline, most notably from the Siege of St Malo, where she was the only reporter for miles around.

‘Bridge of Sighs’, Lowndes Street, London, England 1940 by Lee Miller [GG0016]

At the beginning of the war in 1939, Lee had just arrived in London. She had parted from her first husband, Aziz Eloui Bey, moving from Egypt, to be with Roland Penrose, a British Surrealist Artist and prominent promoter of Modern Art, whom she had met in Paris in 1937. She joined British Vogue as a freelance photographer, but was frustrated photographing fashion, while British women were getting involved in the war effort. As the Blitz hit London, Lee took to the streets with her camera, her eye drawn to the surreal scenes of devastation caused by the bombing. Her images were later used in a propaganda publication that was sent to America to show how Britain was suffering, also published in Britain under the title ‘Grim Glory’.

Lee became an accredited war correspondent for Vogue in 1942. Her first assignment was to travel around Britain photographing women working for the war effort: Land girls, Wrens, ATS, nurses, aviators and others. As a woman she had access to their bases, capturing them going about their daily lives. Lee could have had little idea how important her pictures would be to future generations as an historical account of the often undervalued contribution of women during WWII.

Women of the Auxiliary Territorial Army operate a searchlight battery at South Mimms, which at times put them at great risk. After this picture had been taken by Lee Miller assisted by David E. Scherman, raiders came over and raked the battery with machine fire.

Lee then followed the US Allies as they made their way through Europe, never staying in the safe zone with other members of the press, but preferring to be with the GIs and as near to the action as possible. She wasn’t just tagging along for pictures; fluent in French, she was often called upon to translate, or help with civilian women and refugees. A fierce believer in freedom and justice, Lee was passionate about showing the world exactly what was going on, from the bloody operating theatres on the Normandy coast, to the newly liberated concentration camps. The images she took at Dachau and Buchenwald are some of the most horrific images to have come out of WWII. Few were able to do it. Lee was determined to expose the horror, so that this could never happen again. Vogue printed Lee’s pictures and words under her title, ‘Believe it’.

Lee’s vast legacy needed to be catalogued and cared for and so the Lee Miller Archives began. As more pictures were printed from her negatives, her contribution to twentieth century photography became apparent.

Lee had run her own successful studios in Paris and New York in the 1930s, exhibited her own Surrealist work and throughout her career shot fashion for Vogue. She had also photographed celebrities, artists and key figures of the Twentieth Century, many of whom were friends and regular guests at Farleys.

Eileen Agar and ‘Golden Tooth’ sculpture, London, England 1937 by Lee Miller [NC0126]

She had a remarkable talent, excelling in every aspect of photography. A master in the studio and also on location. She was unafraid to experiment, not only with new technology but also with her art. In 1929 she created a shocking art statement, so ahead of its time, that it has only been exhibited in recent years. One of her clients was the American Hospital in Paris; Lee had been photographing a radical mastectomy for the surgeons and afterwards asked if she could have the severed breast. Back at the Vogue studios she photographed it on a plate with a knife and fork; her response to the female objectification she had experienced as a woman, a model and Surrealist muse.

Today, the photographs Lee hid away are exhibited all over the world and a growing fascination with her life makes her the frequent subject of publications, documentaries and films.

 ‘As her significant contribution is slowly rediscovered by the world, we enjoy watching how she continues to be relevant to new generations, inspiring equality, strength in the face of adversity and the creative world.’ Ami Bouhassane granddaughter of Lee Miller, extract from ‘Lee Miller’ Modern Women Artists 05 Eiderdown Books 2019

Today, on Lee Miller’s birthday, April 23, her son, Antony will be hosting a Q&A on Instagram @farleyshg

Grim Glory: Lee Miller’s Britain at war by Ami Bouhassane coming out soon and available at www.leemiller.co.uk

To find out more about Lee Miller and view her picture library visit www.leemiller.co.uk

For information on visiting Farleys House and Gallery please visit farleyshouseandgallery.co.uk

Instagram: @farleyshg @leemillerarchives

Twitter: @farleysHG

Facebook: @farleysHG 

Researched and written by Jane Parsons, tour guide at Farleys House and Gallery, Print Room Administrator for the Lee Miller Archives and Museum Assistant at the Royal Pavilion & Museums, Brighton & Hove

The Story Behind the Picture: At Home with Lady Ellen, Saturday 7 April 2012

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

In 2012 I was the Adult Learning Officer for the Adult Event Programme creating and running public events across Royal Pavilion & Museums. This was one of 46 events that were programmed in 2012.

This picture shows the team of costumed staff members and museum volunteers who took part in a living history day at Preston Manor on the subject of the Edwardian ‘At Home.’

Lady Ellen Day 7 April 2012

This event was set on 7 April 1912 and re-enacted a fictional day in the life of Ellen Thomas-Stanford who lived at Preston Manor at the time. For the purposes of the event history was tweaked a little because in 1912 Ellen was not yet Lady Ellen, a title that came to her in 1929 when her husband, Charles was made a baronet in the New Year’s Honours in recognition for his years of public service.

What is an ‘At Home’?

An ‘At Home’ was a social day in which the lady of the house would be at home to receive invited guests. It was a semi-formal social occasion which could be on a grand or small homely scale.

Lady’s World Magazine (1909) gives readers the following advice

“It is, of course, tacitly understood that a visiting card stating when ‘At Home’ conveys an invitation to be used at the recipient’s convenience or pleasure. And the preparations of the day set apart in well-ordered households involve no serious derangement of the daily routine – although flowers may be more abundant and arranged with greater care, and a few dainties added to the tea table. But an ‘At Home’ is a thing apart; a special function to which a crowd is invited; not necessarily involving great expense, but which may give a deal of trouble, the house more often than not turned upside-down in the process”

1912 in History

In preparation for the event I prepared an information pack for everyone taking part so they could familiarise themselves with the year in which they were to live for a day.

For a historic house living history event to be authentic you cannot have characters from history using modern language.

Talking the language of 1912

On 7 April 2012 conversation at Preston Manor must, I advised, use as many of these words as possible, especially people dressed as servants. Ellen Thomas-Stanford would not have used the slang-words listed here. It is interesting to consider which of these 1912 words and expressions exist today and which have become extinct in modern speech.

Blotto = drunk

Blue devils = to be sad or depressed, “I’ve got the blue devils”

Brew = tea, also ‘char’ “a nice cuppa char”

Buffer = an old man

Clobber = clothing

Crikey! = an exclamation of surprise

Fast = extravagant or wild, “polo players can be somewhat fast”

Footle = to talk nonsense or waste time, “stop footling and do some work”

Gas = idle talk, “stop gassing and do some work”

Graft = work

Hook it = to escape or run away

Hoyden = a boisterous young girl

Moithered = flustered or agitated

Off his chump = crazy

On the peg = under arrest

On the doss = being a tramp

Rag = to tease, to ‘rag someone’ is to tease them

Slavey or skivvy = a maid-of-all-work (the lowest level in female domestic service)

Tiffin = lunch or a snack

Toe-rag = a vagrant

Tosh = rubbish or nonsense, “you’re talking tosh”

Vapours = a faint (in a woman) “she had a fit of the vapours”

Wizard! = an exclamation of excellence, “that lemonade is wizard!”

Having a conversation 1912 style

An ‘At Home’ was all about polite conversation with the social etiquette advice to avoid certain subjects. Areas to be avoided were politics, religion, relationships, a person’s age, weight or appearance, money and financial matters of all kinds. Complaining, gossiping or grumbling was also forbidden.

What could you talk about?

Acceptable subjects included talk of the weather, your surroundings (admiring the view to the gardens, for example) the well-being of mutual friends and acquaintances (without gossiping) children and pets. You might ask someone “how do you know (the host)?” You will never ask “what do you do?” as this question is too intrusive.

The aim was small-talk, described in Debrett’s guide to Everyday Etiquette as “the fuel that makes social encounters run smoothly. In general, British conversation will run very smoothly if you avoid direct questions, and opt for oblique evasions and general comments. Once you’ve learned to decode small talk, you’ll be surprised how revealing it is”

In 1912 there was much going on in the wider world

I made the following list as subjects for those involved in the event to be aware of

The sinking of Titanic

Suffragettes calling for Votes for Women

The poetry of Rupert Brooke

Fancy dress parties were popular

Industrial unrest & strikes (dockers & railway workers)

Captain Scott reached the South Pole on 12 January 1912

King George V (came to the throne in 1911) crowned Emperor of India in December 1911

Home Rule for Ireland or ‘the Irish Question’ dominated politics

People would be reading books by Thomas Hardy, Rudyard Kipling, Walter de la Mare, Joseph Conrad, Arnold Bennet, EM Forster and HG Wells

The Prime Minister was Herbert Henry Asquith (Liberal)

The monarch (crowned in 1911) was George V (his wife was called Queen Mary)

In 1911 the Mona Lisa was stolen from the Louvre in Paris (it was recovered in 1913)

The Olympic Games were held in Stockholm, Sweden

1912 facts and statistics

Living a day in 1912 required event staff to consider the following:

Every element of your life from birth, education, employment to old age and death depended on your family wealth. There was very little social security support outside family. In 1912 life expectancy was 54 for women 50 for men. Today life expectancy is 78 for men and 82 for women. Only 5% of the population were over 65. Today nearly 20% of the population is over 65.

The richest 1% of the population held 70% of the wealth

Childhood was short, effectively over at age 11 when most poor children left school.

In 1911 a large comfortable family house would cost £600 (the majority of people lived in rented accommodation – much of it slum quality. Only the very wealthy owned property)

As a rule, only women from the lower social scale worked. Middle-class and upper-class women viewed marriage as their career and most never held paid employment.

Social inequality was pronounced in 1912 though it was not a subject you would discuss at an ‘At Home’ unless you were talking about charitable causes you might be involved with (spoken of without boasting)

How long did an ‘At Home’ last?

Lady’s World Magazine (1909) suggested,

“One can never decide beforehand how long it may be expedient to remain; for, nowadays, many afternoon social functions include good music, singing, palmistry and other attractions which serve to pleasantly while away a couple of hours or so. At simple affairs comprising of nothing more than tea and conversation, one is usually guided by circumstance. From a crowded room where the ball is kept briskly moving, guests of no particular interest are scarcely missed and may, if disposed, and have finished tea in time, leave at the end of half-an-hour without giving the impression of being in too great a hurry. But in making plans for the afternoon, it is well that a good hour should be allowed for the visit”

Costumed characters

Everyone involved in the event had a character to play from Lady Ellen and her friends to members of the household staff and a visiting Suffragette. Costume was provided but no script. All speech was improvised. My call-out to volunteer drama students stated, ‘you will have the freedom to improvise your role – to speak or not to speak or be seen silently fulfilling simple domestic tasks in the house (as a maid you might be found dusting a room or carrying a tray of tea). You will be working with fellow students alongside experienced historical interpreters who work at Preston Manor.’

Women were reminded not to wear make-up or nail polish and to remove jewellery, piercings and all must have nothing about their person that was of the present-day.

Saturday 7 April 2012

The day was packed with events at Preston Manor. ‘At Home with Lady Ellen’ was followed by a book launch of The Haunting of Tabitha Grey by Sussex author, Vanessa Curtis, a book aimed at the teen audience and set in a fictional Preston Manor. The launch included dramatised readings from Tabitha Grey and was attended by Councillor Anne Meadows, then Mayor of Brighton and her husband consort Mr Tony Meadows plus Ms Curtis’s literary agent and publishers, the Features Writer from the Evening Argus, the editor of The Ghost Club Magazine, representatives from The Virginia Woolf Society, members of the Paranormal Investigations Group Sussex and many others.

Paula Wrightson, Venue Officer Preston Manor

Mid-Week Draw Online: Week 3

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

This week the Mid-Week Draw is celebrating Earth Day, which takes place today, the 22nd April.

Beth has chosen a selection of objects to coincide with this theme and has drawn them herself to inspire you to do the same. Take a look.

Draw Artists

We are very pleased to see that some of you have taken part in our online Mid-Week Draw, here are some of the fantastic works that have been sent in.

Sam

Jenny

Jenny

Sue

Join In

If you are tempted to have a go, please share your drawings with us, we would love to see them. Email them to Beth at beth.burr@brighton-hove.gov.uk Tweet @BrightonMuseums or if you are uploading them to Facebook with pride, share the url in the comments section below.

Come back next Wednesday to see what new objects Beth has chosen.

If you need any extra drawing ideas, Beth has a couple of suggestions to keep you going too:

  • A person sitting in a chair – Ask a friend to pose for you
  • Minimalist – Draw something with the fewest lines possible

Discover More

The Mid-Week Draw

Beth Burr, Museum Support Officer

Celebrating Earth Day with Sussex Nature Heroes

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Today marks the 50th anniversary of Earth Day and to help celebrate the Booth Museum of Natural History has interviewed some of Sussex’s incredible ‘Nature Heroes’.

These are people who work tirelessly to help protect wildlife and connect people to nature in our area. Each week, we will focus on a different Nature Hero to highlight the projects they have worked on and find out how they have had a positive impact on our environment. We also asked them for some friendly advice on how we can all do our bit to help wildlife in Sussex, both during and after lockdown.

Devil’s_Dyke_mattbuck (category) / CC BY-SA 2.0

Dr Rachel White

We start our series with Dr Rachel White who is a senior lecturer in ecology and conservation at the University of Brighton. Her research interests include avian ecology and conservation, human-nature interactions, citizen science, and patterns and drivers of extinction risk. She’s passionate about sharing her sense of wonder and excitement about the natural world, including finding effective ways to connect the public, particularly young people, with nature. This has led her to enter the Brighton & Lewes Downs Biosphere into the annual City Nature Challenge, which will run on the 24th to 27th April.

What do you love about the wildlife in Sussex?

Before going to university, I grew up in Crowborough in East Sussex with my parents and younger sister. I have countless fond memories exploring the varied natural wonders that Sussex has to offer – Ashdown Forest’s heathland, Cuckmere Haven’s coastal flood plain, the rolling hills and valleys of the South Downs National Park. Sussex is where my curiosity for the natural world was sparked. It is fantastic that within Sussex we have an internationally recognised UNESCO Biosphere Reserve – Brighton and Lewes Downs Biosphere (The Living Coast) – which celebrates and promotes a positive and sustainable relationship between people and nature.

What Sussex wildlife project have you worked on that you are most proud?

I’ve been involved in a number of Sussex-focused wildlife and engagement projects since 2014. One that I am particularly proud of is “Bird Buddies” (part-funded by the Sussex Ornithological Society), which engaged more than 200 primary school children in feeding and monitoring birds within their playgrounds. This was my first attempt at developing an environmental education intervention and the results showed enhanced awareness of local biodiversity, alongside significant gains in bird identification knowledge and attitudes, which were greatest for children with little prior exposure to nature. This project introduced me to the fantastic work by Katie Eberstein and BHee. Being able to help (re)connect people with nature and inspire the next generation of naturalists/conservationists is the main reason I do the job I do.

How are you connecting to nature during lockdown? Can you offer any advice to people?

Fire crest, Regulus_ignicapilla_Arundel, Jacob Arnold from sutton surrey, england, CC BY /2.0

I feel fortunate to have a decent-sized garden at my home in Uckfield, which I have been enjoying and appreciating more than ever since the lockdown. I started a “lockdown” bird list, which so far has over 20 species that I have seen or heard from home – highlights include grey heron, kestrel, buzzard and firecrest. The list has now expanded to include other wildlife as well, and I am trying my best to encourage my partner, Cristiano to get involved and help me. If you don’t have your own outside space and you are able to do so, then discover and explore a nature route for your daily exercise. Last weekend, on a walk from home, I stumbled across a beautiful patch of woodland – the bluebells and wood anemones were stunning. Evidence is overwhelming now for the varied health and wellbeing benefits we derive from connecting with nature – especially if we engage all of our senses.

City Nature Challenge 2020: Take part in this fun, educational and worldwide effort to record local wildlife from the comfort of your home. Anyone who lives within The Living Coast region can join in by taking photos of wildlife discovered at or close to home between the 24th and 27th April and uploading them for free to iNaturalist. Anyone can join in, from experienced naturalist to curious beginner, young, old and families. It is a great way to get involved in biological recording and it will help build your confidence and experience in wildlife identification.

To find out more visit the City Nature Challenge in The Living Coast.

To find out more about biological recording in Sussex visit the Sussex Biodiversity Record Centre

What project are you most excited to get back to when you leave lockdown?

European_white_stork, Manuelia318 / CC BY-SA 4.0

I am fortunate as quite a lot of my research is desk-based and I am able to continue with that. However, I recently obtained a grant to start exploring the potential for species reintroductions to reconnect people with local nature and landscapes. It will focus on the reintroduction of the charismatic migratory white stork to Southern England. Working with Durrell Wildlife Conservation Trust and Knepp Estate, one of my first tasks is to establish baseline perceptions of local communities towards the species – a task which will be much easier to achieve once we leave lockdown.

What one thing would you recommend people can do to support Sussex wildlife?

My recommendation is to start from home and (re)wild it. My garden is definitely a wild garden – we made the decision to take a step back and let nature do its thing for the majority of the area it covers. Some people might say it is a messy garden which needs taming but taking a largely unmanaged approach means it is a wildlife haven. The more variety you have in your habitats and their structure, the more biodiverse the area will be – bare ground, dead wood, temporary pond(s), unmown grass, native flowers, shrubs and trees. Start off by making just a corner of your garden wild and see where it takes you. If you only have a yard or window sill, you can still wild these; for example, by creating a bug hotel and/or bird feeders and attaching it to a wall/fence, and planting the favourite wild flowers of pollinators in pots or a window box. Finally, don’t forget to pass the word on about the importance of small-scale (re)wilding to your family and friends – the more people that do it the bigger the impact.

Dr Rachel White is contactable on Twitter  @Rach_L_White or via email  r.white2@brighton.ac.uk

You can see a white stork on display at the Booth Museum of Natural History when we re-open. In the meantime, we hope you enjoy the City Nature Challenge to see what wildlife you can spot just outside your doorstep.

European White Stork case, Booth Museum of Natural History

Check out our next Nature Hero in our blog next week.

Grace Brindle, Collections Assistant

Pioneering women of Sussex – Caroline Lucas, MP, first woman to represent Brighton

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On today’s 50th anniversary of Earth Day, a movement in response to a world environment in crisis, our 100 Pioneering Women of Sussex blog series highlights Caroline Lucas, first ever Green Party Member of Parliament.

In a collection of pioneering Sussex women, MP for Brighton Pavilion, Caroline Lucas can take her place with aplomb. Her list of ‘firsts’ include becoming the country’s first ever Green Party Member of Parliament in 2010, in 2008 being the first leader of the Green Party who until then had been collectively led, and the first woman to represent Brighton.

Caroline Lucas

Promising on her website ‘I wasn’t your typical MP, and won’t be in the future,’  she has kept issues such as the environment, the climate crisis, human rights and animal protection very much in view while challenging the norms of how politics is usually carried out.  Who could forget her being reprimanded for transgressing the Westminster dress code by wearing a T-shirt with the slogan ‘No More Page Three’ to protest against The Sun’s feature during a Commons debate on media sexism in June 2013, or calling out Leader of the House of Commons, Jacob Rees Mogg MP for slouching on the bench in the House of Commons in September last year?

Lucas, whose majority in the Brighton Pavilion constituency has increased with every general election, was born in Malvern, Worcestershire and studied at the Universities of Exeter and Kansas before joining Oxfam. She says she was inspired to join the Green Party by Jonathon Porrit’s seminal work on green politics, ‘Seeing Green’ in 1986. She told The Argus in 2015 that realising she was in Clapham, where the Green Party offices were located, she immediately set out and joined the party.

Lucas’s first election success was gaining the Green Party’s second council seat in the UK on Oxfordshire County Council which she held between 1993 and 1997. In 1999 she was elected as Member of the European Parliament (MEP) for South East England and was re-elected in 2004 and 2009. She has led the Green Party twice, the second time from September 2016 until September 2018, co-leading with Jonathan Bartley, and leaving to pave the way for current co-leader, Sian Berry.  She is currently Vice president of the RSPCA . She also sits on the National Council of CND

Always seeking to keep women’s rights on the agenda, Lucas is a strong voice for equality in Parliament. She has demanded an end to pay discrimination and proposed legislation guaranteeing that major companies’ boards are at least 40% female. She has called for improved parental leave allowance and free child care provision for parents who need it.  She also supports the One Billion Rising global campaign against violence against women and girls.

Caroline Lucas at the unveiling of the blue plaque at the old Women’s Social and Political Union HQ May 2019

In Brighton & Hove Lucas supports many local organisations that stand up for women, including RISE, which supports people affected by domestic abuse, the Brighton Women’s Centre, the Survivor’s Network, substance misuse service, the Brighton Oasis Project, and For Our Daughters, of which she is a patron.  She has always seen the inspiring role that the city’s considerable women’s history can play and has supported the efforts of the Brighton & Hove Women’s History Group and others to commemorate pioneering women with links to the city.  Last year she spoke at the unveiling of a blue plaque to honour suffragette, Minnie Turner at 13 Victoria Road,  and joining Frances O’Grady, TUC Secretary, and Labour Councillor Nancy Platts to speak about Trade Unionist and social activist, Clementina Black at 45 Ship Street in September 2019.

Despite – or perhaps because of her – ‘I may not fit in with the grey suits of Westminster’ approach Lucas has been voted The Observer Politician of the Year in their Ethical Awards three times from 2007 to 2009, named Best UK Politician of the year in The Independent’s Green Awards in 2010,  “MP of the Year” in the Women in Public Life Awards 2011, and was the Patchwork Foundation’s overall MP of the 2010 – 2015 term for her work with disadvantaged and minority communities.

Discover more about Caroline and her thoughts about being a female MP  in an interview for the exhibition War Stories: Voices from the First World War, watch here.

Written by social historian, Louise Peskett

 

 

 

Activity Sheets to Bring our Museums to You!

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I’m Katy Knapp, an illustrator and museum Visitor Services Officer, working across all five of our museum sites.

I’m most often found at Hove Museum, Booth Museum and Preston Manor. However given the current situation with Covid-19, I’m unable to do my usual job on the front lines of the museums, welcoming visitors and talking to them about our amazing exhibits.

I love spending time in the museums doing observational drawings of the objects, and have sketchbooks full of little doodles like this. While visitors are unable to come into the museums to draw, learn and observe, we are challenged to find new ways of keeping these muscles flexed.

Observational drawings of objects in Hove Museum.

Caption: Observational drawings of paintings and objects in Preston Manor

Why not do some observational drawings of objects from around your home? Create a still life on the kitchen table, or draw portraits of a family member.

I have created three family friendly colouring and activity sheets to bring our museums a bit closer to home in these difficult times. Hopefully they might spark some curiosity in the fascinating history we have to share or just get your families creative juices flowing.

You can download the activity sheets from our online image website. 

 

Katy Knapp, Visitor Services Officer

Nature at Home: Bees and Wasps

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This Nature at Home post continues our look at the miniature world of insect life during lockdown.

Bees are one of the most prominent insects flying around at the moment. Queen bumblebees are emerging and looking for nest sites, so spring is the perfect time to spot them. They are large enough to see from a window when you’re inside, though identifying them to species level may be more challenging, as there are over 20 different species in the UK. If you’re out on a walk, pay attention to the ground and the sounds around you. Bumblebees are very noisy in flight and the force of their wingbeats even moves the vegetation. If you see leaves moving very close to the ground, it could be a queen bumblebee looking for the best place to start her colony.

As well as bumblebees, you’ve probably heard of honeybees, which can easily be distinguished from wasps. Have you heard of solitary bees? There are nearly 250 species in the UK. Mining bees place their eggs in the ground, so try leaving bare patches of soil if you have a garden or look for the same if you’re out in a grassy area. Mason bees use holes in walls to raise their young and bee hotels are a popular garden feature. Leafcutter bees may be seen taking pieces of leaves, especially from roses. And cuckoo bees use the nests of other bees to raise their young. By observing flowers, you’ll get to know which ones are favoured by bees. If you’re patient and able to hang around long enough you might even get some good photos.

Honeybee (Apis mellifera) (taken on DSLR camera with 50-500 mm telephoto lens) © Lee Ismail.

Willughby’s leafcutter bee (Megachile willughbiella) (taken on a smartphone) © Lee Ismail.

In more impressive numbers than the bees, there are over 7000 species of wasp in the UK. Even the most hated common wasp (Vespula vulgaris) provides pest control, and is a useful pollinator, as it searches for a sweet nectar drink among flowers. As long as you don’t have a sugary drink, you’ll be fine to observe wasps from a foot away. You may also see hornets (Vespa crabro) flying around or feeding on fallen fruit. Lots of people aren’t keen, as they are much larger than common wasps and may be seen grabbing honeybees in mid-air. However, as another insect predator, the hornet is useful in regulating insect numbers. They are no threat to healthy honeybee hives or to you, if you leave them alone. One of the most visually exciting wasps is the tiny ruby-tailed wasp (Chrysis sp.) with a bright blue upper half and a shining red abdomen, they are also known as jewel wasps. This wasp parasitises mason bees and hangs around the entrances of their homes, giving you a chance to catch a glimpse.

Hornet (taken on DSLR camera with 50-500 mm telephoto lens) © Lee Ismail.

A ruby-tailed wasp temporarily held for viewing (taken on a point and shoot

Get Involved

Don’t forget to join in with the City Nature Challenge (24th – 27th April 2020) to spot and upload your nature sightings.

The Field Studies Council (FSC) has excellent guides for insects, which are often very easy to use. 

The Woodland Trust produces handy guides too:

Hornets

Bees and wasps

Solitary bees

The Bumblebee Conservation Trust has a Bumblebee ID guide

The Big Wasp Survey has all about wasps

Discover More

Read other posts in the Nature at Home series

Kerrie Curzon, Collections Assistant

Champion swimmer and record breaker Mercedes Gleitze

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

On 6 April 1928, a pioneering female swimmer became the first person to swim the 8 mile Straits of Gibraltar. Find out more in this edition of our 100 Pioneering Women of Sussex blog series. 

Mercedes Gleitze, c1928. Unidentified site (most likely a North Channel attempt)

A few months before this record-breaking achievement, at 2.55 a.m on a foggy morning just over 92 years ago, this Brighton woman, clad only in a swimsuit, dipped her toes into the sea at Cap Gris-Nes, Calais.  Her name was Mercedes Gleitze (1900-1981).  A typist by day, Mercedes was of German origin but had been born in 1900 in Freshfield Road.  On this cold day, during which the sea temperature never rose above fifteen degrees, she was making her eighth attempt to become the first British woman to swim the Channel.  The going was tough. The fog was so dense that her pilot boat (a Folkestone fishing boat) had to lead the way, sounding its horn to warn her and her accompanying rowing boat, of passing ships. Fifteen hours, fifteen minutes later when Mercedes staggered, triumphant, on to a beach in Dover, her place in sporting history was secure.

But it wasn’t the last time this keen open-water swimmer, who fitted swimming practice in the Thames around her day-job, was to have the words ‘first’ or ‘fastest’ attached to her name.  In 1928, just 6 months after her Channel conquest, Mercedes travelled to southern Spain with the aim of becoming the first person ever to swim the notorious Strait of Gibraltar from Tarifa to Morocco.  From the tourist beaches on the Costa del Sol, just a stone’s throw away from where Mercedes began her historic swim, this stretch of sea is the stuff of holiday brochures.  According to the Gibraltar Strait Swimming Association’s website, however, ‘unpredictable and changing currents, plummeting water temperatures, sudden sea fog, vomiting and passing out from excessive consumption of sea water, exhaust fumes from boats, oil spills, pollution,’ are just some of its hazards.  Despite the catalogue of horrors, Mercedes succeeded, on her sixth attempt, reaching the Moroccan coast in just under thirteen hours.  Today the few swimmers who attempt this feat manage it in around four hours but, unlike Mercedes, have the advantage of hi-tec wetsuits and sports nutrition.

Mercedes Gleitze, c1927. The Twenties look!

At a time when female sports celebrities were rare, Mercedes’ career took her all over the world, competing in over 50 endurance tests and swimming some of the world’s most iconic stretches of water, such as Wellington Harbour in New Zealand, Capetown to Robben Island in South Africa, as well as making eight traumatic attempts to conquer the cold, turbulent waters of the North Channel between Ireland and Scotland. She drew crowds wherever she went and became a newsreel star.

Closer to home, she set up 27 endurance swims in corporation pools and gradually increased the British endurance swimming record from 27 hours in Edinburgh’s Infirmary Road Baths in 1930 to a staggering 47 hours in 1933 at Worthing Baths, with spectators shouting encouragement from poolside and Mercedes being sustained, for example, by soup and mackerel sandwiches – but, more importantly, by music and community singing.

In Mercedes’ time, most people still believed that a woman’s place was in the home and that excessive physical exercise could be injurious to a woman’s health.  Mercedes was a true pioneer, sticking to her guns and showing a steely single-mindedness.  Rejecting one fiance because, as she told a newspaper, ‘What is the use of letting a man make a home for me when in my thoughts the sea spells ‘Home Sweet Home’ to me?’  When she did eventually marry, the newsreel footage shows her moving the reporter’s congratulations swiftly on to excitedly tell him she’s just about to set off for Turkey to swim the Hellespont.

Robbie’s Point, Donaghadee, 23 June 1928: Mercedes’ first attempt to cross the North Channel between Northern Ireland and Scotland

Breaking these amazing swimming records wasn’t Mercedes’ only legacy, however.  Known for her generosity – she once shared the prize money at an Australian endurance contest she’d won with a hard-up runner-up – she used her prize money to set up a homeless refuge in Leicester during the Great Depression, and the charity that bears her name, The Mercedes Gleitze Relief in Need Charity continues today.

A new book published by the History Press last year, In the Wake of Mercedes Gleitze, by her daughter, Doloranda Pember, describes her early life, her association with Brighton, and her 10-year swimming career. It covers over 50 pioneering swims (with complementary details on her website www.mercedesgleitze.uk). All royalties from the sale of this biography will go into Mercedes’ Trust Fund, which is being administrated by Family Action.

Mercedes Gleitze, c1928. Mercedes’ formal hairstyle. When swimming she let it all hang loose.

‘Sea swimming is a beautiful thing, in fact an art – an art whose mistress should be not the few, but the many, for does not the sea and its dangers cross the paths of thousands?Nay, millions!What could possibly speak more for man’s prowess as an athlete than the ability to master earth’s most abundant, most powerful element – water, no matter what its mood.’         Mercedes Gleitze: 1931 Diary of New Zealand Tour

Today, women are still breaking swimming records. The exhibition, 100 First Women Portraits, by Anita Corbin, features the incredible Beth French. Beth was not only the first woman, but the first person, to swim from Cornwall to the Isles of Scilly, a rough stretch of water with strong currents, in 17 hours and 28 minute on 22 July 2014.

Beth French, part of the 100 First Women Portraits Series by Anita Corbin

 

Nature at Home: Encountering Insects

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

A garden is the perfect place to look for insects and other invertebrates but for those of us who don’t have one, a walk is a great way to engage with these creatures.

Here’s a brief introduction to flies, beetles and bugs. Do look out for the follow-up Nature at Home posts providing more examples of the minibeasts you may see.

At this time of year many insects are emerging from the winter phase of their lifecycle. For many moths this means they will have spent the winter beneath leaf litter on the ground, hidden inside cocoons. Other insects will have spent the winter as grubs, eggs or adults, usually underground or burrowed into wood.

It may be a strange place to start, as flies are not many people’s favourites, but even the most common fly can be a delightfully shiny specimen if you stop to look. As well as blue and green bottles, there are many other wonderous beasts. The beefly is a curious member of the true flies (Diptera). It has a fuzzy appearance to mimic bees, and it flies with its tongue (proboscis) out. They’re one of those insects that are everywhere but you just don’t realise until someone points them out. If you’re really lucky, you may see them flicking their eggs into the nest of a bee, where their grubs feed on the bee larvae. There are also some surprising treasures, such as the scorpionfly (Mecoptera) pictured below, a distant relation of the true flies. Like many insects, flies can be seen sunning themselves on walls or fences on bright spring days.

Common green bottle (Lucilia sp.) (taken on a point and shoot camera) © Kerrie Curzon.

Greater or dark-edged beefly (Bombylius major) (taken on DSLR camera with 105 mm lens) © Lee Ismail.

Scorpionfly (taken on DSLR camera with 50-500 mm telephoto lens) © Lee Ismail.

Other flying insects include the beetles, of which there are so many different species in the world, they even have an overused (and possibly misused) quote about them. Cockchafers, weevils, stag beetles, the list is too long to mention the ones you may see, however, ladybirds are probably the most familiar. In the UK there are 26 easily recognisable species of ladybird. See how many you can find.

Seven-spot ladybird (Coccinella septempunctata) (taken on Olympus TG5 point and shoot on macro setting) © Lee Ismail.

You may use the term ‘bug’ to mean any type of minibeast, however, it is actually a specific term for a group of insects. True bugs have straw-like piercing and sucking mouth parts. An easy to identify bug is the shield bug (Acanthosomatidae) that has a distinctive, almost triangular shape. They can be spotted on leaves and flowers, though their camouflage may make this more difficult, as they come in many greens and browns.

Shield bug (taken on DSLR camera with 50-500 mm telephoto lens) © Lee Ismail.

While you’re out for a walk or in the garden, stop and watch the insects that you see. Pausing and noticing is recommended to us a lot these days and I have to agree. Not only are you indulging your curiosity and learning about the organism in view, you are also slowing down and focusing. This is a great way to distract your mind from busy and repetitive thoughts. It is also useful for the practise and patience of taking photographs, but some wildlife encounters can be more fulfilling without the pressure to produce the perfect shot.

Get Involved

There’s also a chance this year to get involved in the City Nature Challenge (24th – 27th April 2020) to spot and upload your nature sightings.

The Field Studies Council (FSC) has excellent guides for insects, which are often very easy to use and UK Safari has a guide to flies.

The Woodland Trust produce handy swatches too:

Minibeasts swatch

Invertebrates 

Insects

Beetles

Bugs

Discover More

Read other posts in the Nature at Home series

Kerrie Curzon, Collections Assistant