Story Category: Legacy

Diatoms: Hidden Climate Heroes

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

In almost every drop of water, from the shallowest puddles to the deepest oceans, you will find tiny life forms known as diatoms. To the naked eye, diatoms are invisible, but it is surprising how even the smallest things can have a big impact on the world around us.

Diatoms are single-celled microscopic algae that can be found in marine and freshwater environments worldwide and have inspired scientists and artists alike. They have been found to play a fundamental role in climate regulation and have even been used in microscopic works of art. We asked our volunteer Amy Charlton to find out more, starting with a look through the microscope slides in our natural sciences collection.

Box of slides from the Booth Museum

Discovering diatoms

Diatoms are tiny – usually less than the width of a human hair – the invention of the microscope enabled them to be seen for the first time. The slides I chose to look at appeared to have nothing on them at all, but placing them under the microscope revealed diamond-shaped glowing diatoms which were around 100 years old!

Diatom slide

It takes all sorts!

Diatoms come in a variety of beautiful shapes. One of the first documented descriptions of diatoms was in 1703 by a ‘Mr. C’ who wrote he could see:

rectangular oblongs and exact squares, which were joyn’d together… all of the same size… made up of two parallelograms joyn’d longwise… the texture of every one is nearly the same…” – (Philosophical Transactions Vol. 23)  

We now know that Mr. C was probably describing the Tabellaria diatom, whose cuboid cells form zig-zag colonies which are joined together by mucus pads. Throughout the century, many more diatom species were identified under the microscope.

Miniature masterpieces

In the Victorian era, diatom arrangements became fashionable as miniature curiosities. Arranged in patterns on slides, these tiny artworks would be shown under the microscope at social gatherings. Some incredible examples can be seen in the video below.

[arve url=”https://player.vimeo.com/video/90160649?title=0&byline=0&portrait=0″ /]

Capturing carbon

Diatoms aren’t just pretty, like plants, they photosynthesise, removing carbon dioxide from the atmosphere and releasing oxygen. They do this on a massive scale, performing an estimated 20% of the earth’s entire photosynthetic carbon dioxide fixing – that’s equivalent to all the rainforests combined!

Tiny time-machines

But they don’t just lock up carbon. Diatoms can also help scientists measure what the climate was like thousands of years ago – which is vital to understanding what is happening, and what will happen, to our climate as it warms.

Written temperature records date back 150 years, but pre-historic climate conditions can be reconstructed using climate proxies. Proxies provide a natural historical archive of the planet’s climate. They include tree rings, corals, ice cores and marine sediment.

Perfect proxies

Magnified diatom algae Amphora sp. close up of hard cell walls Berezovska, CC BY-SA 4.0, via Wikimedia Commons

Diatoms make great climate proxies. When they die, their tough silica frustules (cell walls) fall to the sea floor. Here, they lock away carbon and form marine sediment. They are also extremely sensitive to environmental change, different species have different adaptations to allow them to survive in particular conditions. The absence or presence of a species can therefore indicate what the conditions were like in the ocean at a particular point in time.

Long-term data such as this enables patterns in natural climate cycles to be identified, with which we can compare more recent human-caused climate change. This can help to make predictions about what might happen to our climate – and us – if we do not intervene.

Brilliant bio-indicators

Diatoms can also provide us with valuable insight into what is happening within our aquatic ecosystems right now. They respond rapidly to changes in their environment, and species will reproduce or decline in particular conditions. In optimal conditions, some species can grow into enormous colonies, or ‘blooms’, that are so large they can even be seen from space! As they reproduce rapidly, they can provide early warning signals for physical and chemical changes to the water. Some species are more tolerant to pollution than others, so by collecting and sampling diatoms, we can get an idea how polluted a body of water is.

Phytoplankton bloom, NASA Earth Observatory

And it doesn’t stop there…

Diatoms have the potential to do even more. From wastewater treatment to cultivation for use in nanotechnology, medicine and even as a source of fuel themselves. As research in these areas develops, diatoms could play an increasingly vital role in all of our futures. These tiny single-celled algae truly are our hidden climate heroes.

Discover more

Amy Charlton, Booth Museum of Natural History volunteer

Mid-Week Draw Online: Week 30

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

For this spooktacular Halloween week, Beth has chosen a frightfully good selection to give you a chill. Are you brave enough to draw?

Pencil drawing of skull in 2B

Grotesque, pastel & charcoal

Grotesque, pastel & charcoal

Join In

If you are tempted to have a go, please share your drawings with us! We would love to see them. Email them to Beth at beth.burr@rpmt.org.uk.

Tweet @BrightonMuseums or tag @brighton_museums on Instagram. If you are uploading them to Facebook with pride, share the url in the comments section below.

Come back next Wednesday to see what new objects Beth has chosen.

This week’s additional ideas:

  • Mr Hyde yourself! Take two close up portrait photos of yourself. Print them off. Leave one as the ‘before’ view, then on the second one draw or paint (or find materials that you can glue on) to turn yourself into the ‘after’: your inner monster! You can cut up old magazines to stick on as collage, if you cannot find any fabric material. Go mad!
  • Design your own creepy pumpkin if you are not carving an actual pumpkin this year. You could even put it up in your window to scare people!

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Beth Burr, Museum Support Officer

Half Term Science: DIY Animal Diorama

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

What do animals on our doorstep need to survive? What do they use for shelter and food? What plants are vital to their survival?

In this family craft activity, inspired by the dioramas at the Booth Museum of Natural History, discover how to make the perfect habitat for your favourite animal. Our Booth Museum volunteer Amy Charlton chose a local Sussex species, the Brown-long eared bat, just in time for Halloween! Which animal will you choose?

Brown long-eared bat diorama by Amy Charlton, Booth Museum volunteer

Step-by-step instructions

Diorama

For step-by-step instructions, download the DIY Diorama instructions

Need some inspiration?

  • Need help choosing an animal? Sussex Wildlife Trust has some handy tips on what species you can find this month 
  • Learn more about wildlife on your doorstep in Sussex in our Nature at Home series
  • View a gallery of the Booth Museum’s dioramas
  • There are 18 species of bat in the UK. In Sussex all 18 have been recorded, with some species being found in local parks in Brighton including St Ann’s Wells. Find out more through from the Sussex Bat Group.

Amy Charlton, Booth Museum Volunteer

Mid-Week Draw Online: Week 29

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

With the clocks going back for the end of British Summer Time on Sunday, this week’s theme is everything getting darker.

English Watchman in 4b pencil

Join In

If you are tempted to have a go, please share your drawings with us! We would love to see them. Email them to Beth at beth.burr@rpmt.org.uk.

Tweet @BrightonMuseums or tag @brighton_museums on Instagram. If you are uploading them to Facebook with pride, share the url in the comments section below.

Come back next Wednesday to see what new objects Beth has chosen.

This week’s additional ideas:

  • Use an angle poise lamp to create dark and light on a subject that you want to explore. Try moving the lamp around in different positions so that the light shows different depths on the object.

You could use a black piece of paper (pastel paper is great for this, but any will do) with a white coloured pencil, or pastel to sketch the highlights you can see on the subject, leaving the black paper as the shadows.

An example of famous chiaroscuro is: The Deposition of Christ by Caravaggio, or Allegory, Boy Lighting Candle in Company of Ape and Fool by El Greco

  • Create a page of different lighting devices you can find ie lampshades / torches / streetlamps / candle sticks (and holders). The more the merrier!

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Beth Burr, Museum Support Officer

Mid-Week Draw Online: Week 28

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

Hurrah! We’re celebrating the reopening of Brighton Museum & Art Gallery with the Draw this week.  

Beth

Join In

If you are tempted to have a go, please share your drawings with us! We would love to see them. Email them to Beth at beth.burr@rpmt.org.uk.

Tweet @BrightonMuseums or tag @brighton_museums on Instagram. If you are uploading them to Facebook with pride, share the url in the comments section below.

Come back next Wednesday to see what new objects Beth has chosen.

This week’s additional ideas:

  • Go out and sketch the front of a building you wish was open – such as a cinema, or your favourite record shop, or any iconic building front (if searching for ideas online).
  • Look at a building through gaps in between other buildings and sketch a section of it, drawing the other buildings as simple lines.

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Beth Burr, Museum Support Officer

What Does Climate Change Mean for Sussex?

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

In our Climate Conservations series the Booth Museum has discussed the climate of Sussex 100 million years ago. Now we invite former climate scientist Dr. Diana Wilkins to discuss what is happening to the climate of Sussex today and how it might look like in the future.

Can you think back to February this year?  We saw weeks of heavy rain that caused flooding of houses, roads and fields. That was the wettest February recorded in more than 150 years.

Climate change is likely to increase the risk of flooding from rain, rivers and the sea. Image: Flooding in Pulborough, 2020, © Eddie Mitchell

Do you remember those hot sticky summer days in August? Temperatures exceeded 34oC across parts of the south-east for six consecutive days. According the Met Office this was ‘one of the most significant heat-waves to affect southern England for sixty years.’  The hot weather made conditions difficult for the elderly and vulnerable and it was likely responsible for a rise in registered deaths.

These are two really unusual events, but because of something called the shifting baseline, we tend to get used to such changes and accept them as the new normal.

Fortunately, scientists don’t forget.

Their detailed records, combined with sophisticated computer modelling, tell us that today’s weather is not normal. Scientists tell us that ‘climate change is exerting an increasing impact on the UK’s climate’.

The most recent decade (2010-2019) has been on average nearly a degree warmer than over the period 1961-1990. That might not sound like much, but it’s a big deal. Globally, the average temperature is rising faster than it has for many thousands of years. While we can’t point a finger and say that ‘this or that’ weather event is definitely due to climate change, we can say that climate change is loading the dice and making long-term changes and extreme events more likely.

How has the climate changed?

Globally

  • 2016 was the hottest year on record
  • 2019 was 2nd hottest year on record
  • The ten years to 2019 were the hottest decade on record
  • The effect of climate change has been detectable in global weather every single day since 2012

In the UK

How will the climate of Sussex change in future?

Climate change means that we can expect to see warmer, wetter winters and hotter, drier summers. We are also likely to see more bursts of heavy rain and possibly increased storminess. There will still be day-to-day and year-to-year variation in the weather, but without cuts in greenhouse gases, the warming trend will continue, and extremes are likely to become more pronounced.

The Met Office predicts that by 2070, with a high level of greenhouse gas emissions, the UK could experience:

  • Hot summer days being 3.7 to 6.8 oC warmer[i]
  • Hot spells happening four times a year in southern UK
  • Winter rainfall increasing by 35%
  • Summer rainfall decreasing by 47%
  • Intense rainfall increasing by 25% with more intense rainfall in the summer
  • Sea levels rising by 30-90 cm by 2100

There is of course uncertainty in the computer modelling and the levels of future emissions, but the broad trends in temperature and rainfall are clear. Together these changes could to lead to an increased risk of flooding, water shortages, drought and wildfires. The south-east is already one of the warmer, drier parts of the UK, and future warming is likely to be greatest in the south.

© Crown Copyright 2019 Met Office (slide 13), OGL Licence v3.0

What can I do?

Government, business and society all need to act to make major cuts in greenhouse gas emissions.

Next year, the UK and Italy are due to host a United Nations summit which is a major opportunity to accelerate action on climate change. The UK Parliament has declared a climate emergency and East Sussex and West Sussex County Councils have climate change action plans.

You can find out about your own contribution to climate change using a carbon calculator. There’s information on how to cut your emissions in our Climate Conversations blog and on Brighton & Hove City Council’s climate change website.

[i] Predicted changes in climate are compared with the average for 1981-2000

Discover more

But what does climate change mean for wildlife in Sussex? Next time, we will see how climate change is impacting wildlife on our doorstep, starting with the swift. Look out for our next Climate Conversations blog.

Can nature help combat climate change effects in Sussex?

  • Discover how the beaver re-introduction programme at the Knepp Estate in Sussex could help flood mitigation.
  • Find out how regenerating a kelp forest in Sussex may help to mitigate climate change.

 

Animal, Vegetable or Mineral? Mystery Object 3

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

It’s time for another round of our Booth Museum Animal, Vegetable or Mineral? quiz. Can you guess what the mystery object is before we reveal the answer?

Mystery object of the day

Mystery object 3

Read the clues and scroll down for the answer.

Clue 1

This animal produces ‘floating gold’ which can sell for around £50,000 for a 1.5kg piece!

 

Clue 2

The animal in question was the subject of an infamous revenge quest of a captain in a famous novel…Thar she blows!

 

And the answer is…drum roll please…

 

The tooth of the sperm whale, Physeter macrocephalus!

Sperm whale, Physeter macrocephalus, Gabriel Barathieu CC BY-SA 2.0

Ain’t that the tooth?

Sperm_Whale_Skull, vagawi CC BY 2.0

Sperm_Whale_Skull, vagawi CC BY 2.0

The magnificent sperm whale is the largest toothed predator in the world. Males can reach up to 19 meters in length – around 5 times the length of an African elephant! Their 52 cone-shaped teeth sit in their slender lower jaw and weigh around a kilo each!

Under pressure

In order to hunt, sperm whales dive to depths of up to 1,000 metres where the pressure is 100 times greater than at the sea-level. They are the deepest diving marine mammal in the world and are able to hold their breath for around two hours.

This has made it extremely difficult for scientists to study their feeding behaviour. However, clues from studying their stomach contents (lovely job!) have given some insight into what these hunters eat. It turns out that sperm whales aren’t very picky eaters: their diet ranges from octopuses to fish and crustaceans, but at the top of the menu are giant and colossal squid. These creatures are not merely the stuff of legend and evidence for their existence lies in the video below…the Kraken awakes!

You’re Kraken me up

Giant and colossal squid live at depths so deep that light cannot penetrate the water and is pitch black. In order to detect their prey, sperm whales cannot use ordinary sight, instead they use a special way of seeing – echolocation. This means they see through sound.

The whales produce highly directional clicking sounds. These will bounce off any objects in their path (including an unsuspecting colossal squid) producing echos. These echoes help to build up a 3D picture of the surrounding environment so the whales can see their prey hiding in the darkness. Clicks made by the males can reach up to 230 dB – the loudest clicks produced by any animal. By comparison a jet engine produces 150Db!

It’s hard to stomach

Ambergris,_from the Skagway_Museum by Wmpearl / CC0

Squid beaks are incredibly hard to digest and this is where ambergris comes in. You might have heard of ambergris as ‘floating gold’; it can be found floating on the ocean waves or washed up on the shore. Ambergris is highly valuable and used in high-end perfumes to make the scent last longer.

But ambergris has quite a gross origin. The substance is actually a whale’s ‘intestinal slurry’ and is produced in the digestive system ofsSperm whales. Ambergris is thought to pass with the whale’s excrement and is used to aid the digestion of the indigestible squid beaks to reduce the risk of injuries and constipation.

Whale hello there…

Sperm whales aren’t just highly effective predators, they also lead socially complex lives. Each group of sperm whales has their own dialect, talking to one another using a series of clicks that have a unique accent. Their clicks act as encoded messages, or ‘codas’, that can only be understood by other whales in their social group, sort of like a secret code between friends. Scientists have also just recently discovered that they can identify specific groups just through listening for these ‘accents’.

Grace Brindle, Collections Assistant, Booth Museum of Natural History

Discover More

  • Want to find out more about cetaceans and marine life in Sussex by visiting our Ocean Blues website.
  • Inspired by whales? Why not have a go at drawing our dolphin themed objects in our Mid-week draw
  • Find out more about ambergris and what laws are in place to protect sperm whales here

Mid-Week Draw Online: Week 27

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

Beth has gone from ‘pillar to post’ to find something for the Draw this week.

Beth

Join In

If you are tempted to have a go, please share your drawings with us! We would love to see them. Email them to Beth at beth.burr@rpmt.org.uk.

Tweet @BrightonMuseums or tag @brighton_museums on Instagram. If you are uploading them to Facebook with pride, share the url in the comments section below.

Come back next Wednesday to see what new objects Beth has chosen.

This week’s additional ideas:

  • Go outside and find your own pillar / column to sketch – the more elaborate the better!
  • Design and draw your own totem pole, using your favourite creatures. Try and draw at least 3 animals; one on top of the other. If you are stuck have a look at some North American Indian carvings on the internet

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Beth Burr, Museum Support Officer

The Illustrations of Edward Neale (1833-1904): Booth’s Bird Artist

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

Delving into the Booth Museum libraries we uncover the beautiful bird drawings of Victorian illustrator, Edward Neale. Neale illustrated Edward Thomas Booth’s published diaries.

The main legacy that Edward Booth (1840-1890) left to the town of Brighton was his famous Museum of British Birds on Dyke Road. Hundreds of species of birds are preserved in the museum in specially designed cases which reflect their ‘natural surroundings’. But his collection was not his only legacy; we have his diaries, his punt, his rifles and even some of his clothing. We also have his library and it is there that we can discover his important illustrated work: Rough Notes on the birds observed during 25 years’ shooting and collecting in the British Islands.

Booth Museum bird cases

There are 3 large volumes of these wonderful books. They contain descriptions of all the species he encountered, accompanied by beautiful hand-painted pictures of the birds he chose to illustrate. However, he was not the artist; instead, he chose to ask the painter Edward Neale to prepare paintings for reproduction. Until recently very little was known about Neale, but during the last few years I have been digging into Neale’s background and the results of his research were recently published1.

Neale was born in Speen, Berkshire. His father was a wine merchant and shopkeeper from Norfolk. The last of eight children, it is extraordinary that all his seven siblings were female. It appears that Neale had a talent for drawing and perhaps his childhood in the country produced a love of ornithology; by the time he was 25 he was exhibiting in the Royal Academy, the British Institution and at the Society of British Artists. Clearly this drew him to the attention of the country’s leading bird scientists and in 1862 he was asked to contribute 38 wood engravings to a very popular book on British birds, The illustrated natural history by the Rev. John George Wood, a great populariser of nature. His work also appeared in several other popular books, but all in black and white engravings. His first coloured plates appeared in a series of volumes published by the very respected ornithologist Henry Dresser (1838-1915). His History of the birds of Europe is one of the most famous books on the subject, and Neale contributed 28 plates.

Caspian snow partridge illustration by Edward Neale

Neale’s abilities were at some point recognised by Edward Booth who asked him to take on the task of painting plates for his Rough Notes, modelled on the cases of stuffed birds that filled his Museum. We don’t know how they met. Booth had met Henry Dresser when they were both young men; perhaps Dresser gave Neale an introduction. Maybe they had met in Brighton; by chance three of Booth’s sisters had set up private schools in Hove, the first in 1874 and so it is entirely possible that Edward joined his sisters occasionally and introduced himself to Booth, just at the time the museum first opened its doors. Whatever the case, Neale was tasked by Booth to illustrate the whole of his large work and in the end produced 114 hand-coloured lithographed folio-sized plates. Booth’s collection also contains 4 watercolours by Neale, all of eagles. Before working for Booth, Neale had mostly painted game birds such as ptarmigan, pheasants, quail and ruffs, so working on many more varied species must have been a very welcome opportunity for a change.

Booth died in 1890. Neale’s work appeared in several other significant published works but soon after the turn of the century his commissions were fewer as he suffered the ravages of cancer, dying in November 1904.

Neale never entered the uppermost ranks of bird artists. But he deserves more recognition; his published work is of a very high standard and drew many plaudits. It is clear that as well as his work for ornithological publications, Neale also painted many other large works in oils as paintings in their own right, but few of these have been seen, occasionally turning up in auctions and specialist dealers.

Neale died a bachelor, devoted to his art.

John Cooper, Emeritus Keeper of Natural Sciences at the Booth Museum

 

1Edward Neale (1833-1904), bird illustrator; Archives of Natural History 46.2 (2019), 283-297.

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A step-by-step guide to drawing a bird

This is a legacy story from an earlier version of our website. It may contain some formatting issues and broken links.

Inspired by the illustrations of Edward Neale from the Booth Museum collections, Amy Charlton, Booth Museum artist and volunteer, gives a step-by-step guide to drawing a bird just like Neale.

Caspian snow partridge illustration by Edward Neale

Instructions

Download these as a PDF or follow the steps on the image below.

How to draw a bird part 1 by Amy Charlton Booth Museum volunteer

How to draw a bird part 2 by Amy Charlton, Booth Museum volunteer

 

We can’t wait to welcome you back to the Booth Museum armed with your sketchbook and pencil to draw some of our displays in 2021!

Amy Charlton, Booth Museum volunteer

 

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