Decontextualise to Decolonise: Stormy Sea

Carmen Jade Simpson from the Interior Architecture course at the University of Brighton writes about Stormy Sea as part of the Decontextualise to Decolonise project.

Stormy Sea from the Hotel Metropole by Benjamin Constant, showing a circular window at the Hotel Metropole framing the view of a storm approaching across the sea. c.1890.

Challenging the Original

This new space is inspired by the famous Stormy Sea painting. Challenging the Original invites visitors to explore the idea of art’s authenticity in a creative way. Visitors are encouraged to question what makes art “real”. How do we explore how we value and define originality? What makes a piece of art authentic, and who decides its worth? Visitors can experiment with swapping their recreated paintings with the original. They can engage in a playful way, yet challenge of what is truly “original” and how art is valued.

The atmosphere of the space is designed to be immersive and dynamic. A suspended walkway delicately wraps around the paintings. When one of the paintings is moved or altered, it creates a subtle shift to the suspended space above. Those who dwell here stir. This shifting acts as a natural alarm to draw attention to the act of changing or removing the artwork. The disruption invites reflection on how easily art can be altered or replaced. A circular oak platform surrounds the suspended area. This creates a relaxed environment where visitors can sit and enjoy tea or coffee. A stunning view of the sea is present. Reflections on the relationship between art, nature, and creation are coaxed from the visitors. Questions on the meaning for the authenticity of the piece are raised.

At its core, this project explores decolonisation. It explores making space for everyone to create and appreciate art, no matter their background. Challenging the Original questions conventional notions of artistic ownership. Art belongs to all and can be made and appreciated by anyone.